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- 而又彷彿
- 耳朵
- 聖誕老人的禮物
- 聯合文學
- 肉與肉的相遇
- 背包走天涯
- 胡家榮
- 能躺幹嘛站
- 臘月斜陽
- 臥斧
- 自傳
- 致寧
- 致美好的灰色
- 致那些使我動情的破美人
- 致那些我深愛過的賤貨們
- 興之美學
- 艾偉
- 艾絲琳·埃米吉安
- 芭達雅
- 苦天使
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- 英文
- 草根
- 草根書室
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- 萬用筆記本
- 葉德平
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- 蓋•德利斯勒
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- 蔡穎英
- 蔡興隆
- 蔣公會吃人
- 蔣勳
- 蕉風
- 蕉風——491期
- 薇達
- 蘇偉貞
- 蘇朗欣
- 蘇東坡
- 蘇苑姍
- 虛詞
- 虹影
- 蝴蝶一生花裏
- 蝴蝶一生花裏:八百年前姜夔情詞探隱
- 蠻荒傳奇
- 行囊
- 街區味道
- 街區味道:青年創作文集
- 衣冠南渡:溫任平詩集
- 衣若芬
- 製造香港──本土獨立紀錄片初探
- 西西
- 要有光
- 親愛的漢考克
- 記號
- 許多無名無姓的角落
- 許定銘
- 許榮輝
- 評論
- 評論集
- 詞語
- 詩
- 詩人吳岸的文學理念
- 詩在途中
- 詩在途中——黃遠雄詩選
- 詩字
- 詩意空間
- 詩控餐桌
- 詩精
- 該吃藥了吧
- 語凡
- 謝征達
- 謝旭昇
- 謝旭昇詩集
- 謝淏嵐
- 謝越芳
- 謝麗華
- 證嚴法師
- 譚以諾
- 譚福基
- 譚秀牧
- 讓我們一起唉喲愛喲
- 讓我們一起唉喲愛喲:現代愛經指南
- 豬隊友退散
- 貓
- 貓在之地
- 貓影偶爾出現在歷史的五腳基
- 貓狗
- 貞男人
- 買咯冰
- 賀淑芳
- 賴明珠
- 賴殖康
- 赤峰
- 赤道風
- 走動的樹
- 走過那遙遠的路
- 趙又萱
- 趙向陽
- 趴趴走
- 路從書上起
- 跳水的小人
- 辛金順
- 迅清
- 迷圖
- 逆風寫手
- 逆風寫手:改寫公司的每一天
- 逗點
- 逗點文創結社
- 通俗與經典
- 遊記
- 過客書
- 邢詒旺
- 那天晴
- 邱剛健
- 邱苑妮
- 郎天
- 郭詩玲
- 都市錄
- 鄧小樺
- 鄧阿藍
- 鄭傳鍏
- 鄭啟泰
- 鄭政恆
- 鄭景祥
- 鄭林林
- 鄭琬融
- 鄭超
- 醉一生一世
- 醉書小站
- 醫療保健
- 醫療概論
- 釋證嚴
- 重慶出版社
- 重置
- 野村雜話
- 針鋒不相對
- 鍾國強
- 長廊的短調
- 長河
- 開洞吧男孩
- 閱讀我城
- 閱讀我城——文學評論集
- 闖禍貓
- 關天林
- 阮文略
- 防水態度貼紙
- 阿布
- 阿廖
- 附近有人笑了
- 陪你去看蘇東坡
- 陳丹青
- 陳仲耘
- 陳俊賢
- 陳允石
- 陳克華
- 陳婉容
- 陳家帶
- 陳志華
- 陳文慧
- 陳栢青
- 陳淑瑤
- 陳潔開
- 陳煒舜
- 陳育虹
- 陳麗儀
- 陳黎
- 陳黎跨世紀散文選
- 陸潤棠
- 隨軍翻譯
- 雄艷者的色想與美典
- 雄艷者的色想與美典——邱剛健編導電影劇本集
- 雙原子創意及製作室
- 雜誌
- 雨花雲蕊舊月落
- 雨餘中一座明亮的房子
- 雪
- 雲山
- 電影
- 電影通識行
- 電影通識行—給中學生的4節模擬課及其他
- 靈/性籤
- 静思人文志业股份有限公司
- 非常風景
- 非書類
- 韓國
- 頂天地
- 風依然狂烈
- 颱風季
- 飯飯之輩
- 飲食文化
- 飲食文學
- 餡餅盒子
- 香港
- 香港六四詩選
- 香港文學
- 香港文學館
- 香港文學館主編
- 香港文學:醉一生一世(增訂版)
- 香港电影评论学会
- 香港銀幕左方
- 香港電影
- 香港電影2013
- 香港電影2014
- 香港電影2015
- 香港電影2016
- 香港電影2017
- 香港電影2018
- 香港電影2020
- 香港電影王國
- 香港電影王國—娛樂的藝術
- 香港電影評論學會
- 香蕉戲碼
- 馬來文
- 馬來西亞
- 馬吉
- 馬若
- 馬覺
- 高俊傑
- 魯敏
- 鴻鴻
- 鹽
- 鹽:短詩和現代俳句集
- 麥樹堅
- 麥欣恩
- 麥田
- 麥穗
- 麥穗出版有限公司
- 麥華嵩
- 麵包特工隊
- 麻辣火鍋
- 黃仁逵
- 黃坤堯
- 黃寶蓮
- 黃志輝
- 黃意會
- 黃愛玲
- 黃文傑
- 黃柏軒
- 黃瑋霜
- 黃遠雄
- 黃龍坤
- 黎漢傑
- 黑眼睛文化
- 黑色城市
- 點智慧
- 點智慧11
- 龔萬輝

The Missing Anthology: Stories from Singapore's Sex Workers
平常價 $28.00About the Book
Sex workers in Singapore — and most places around the world — tend to be dehumanised, glamourised or sensationalised by the public and media alike. Rarely do mainstream narratives centre sex workers’ voices and agency. The Missing Anthology presents fifteen bold new voices from sex workers, whose writings resist society’s simplistic assumptions about sex work. In these works, authors recount their lived experiences, share their struggles and triumphs, and imagine different futures for the sex industry.
Born from an open call and writing workshops organised by Project X — the only non-profit organisation in Singapore that provides social, emotional, and health services to people in the sex industry — these pieces daringly experiment with form, genre, and perspective. In these pages, you’ll find two “chickens” discussing their dreams while blowing up a condom; pieces on the dynamics of domme-ing and servicing second-hand hearts; essays on the importance of activism and its obstacles; short fiction exploring fantasies of violent liberation; tender letters to loved ones and younger selves that reflect on their journeys and how far they’ve come.
The Missing Anthology re-centres sex workers’ voices from the margins, bringing them into the conversation about an industry often treated as illicit and taboo. By doing so, it aims to address issues of inequality, social and economic mobility, stigmatization, and safety that are fuelled by misconceptions about sex workers and their profession.
Advance Praise
"I’ve been a sex worker since 2011, and even I found my eyes opened reading this collection. The stories, vignettes, and poems within feel like whispers of secrets, fragments of dreams, or the kind of raw, unfiltered honesty you only get from a deep chat with an old friend. Through the voices of Singapore’s sex workers, this remarkable anthology reveals the incredible diversity of joy, rage, hope, and humanity that exists in our lives.
Too often, others try to tell our stories for us — flattening them into stereotypes or sensationalised clichés. But this collection refuses to let those distant assumptions speak. These are our stories, told in our voices, with all the complexity and richness of lived experience. Reading it was deeply moving, at times heartbreaking, and profoundly real.
It is a rare privilege to see the world through these eyes — to be reminded of the shared, challenging, and beautiful gift of life in all its forms. I am honoured to recommend this work. It is vital, human, and, above all, true."
EVA OH, also known as 'Mistress Eva' — award winning International Dominatrix
"An inter-generational, inter-genre, and inter-spatial exploration of the lives of sex workers and their labour conditions in Singapore. Exciting, intimate, endearing, vengeful, repressed, and cathartic all at once, The Missing Anthology reflects the sweeping diversity of sex workers' experiences, motivations, and lives. From the streets of 80s red light districts in Singapore, the online chat rooms of the aughts, and the transgressive imagination of the empowered millennial, the anthology is a landmark publication that stabs a stiletto heel against the singular story and image of a deliberately misunderstood labour class. The stories of sex workers strain against a society’s ability or inability to accept its own desires and the people who work to fulfil them. This book is as necessary a reading as any about the nation, for behind these stories, the country finds an unwritten one of its own."
DIANA RAHIM — visual artist, writer, community worker and editor of Beyond The Hijab
About the Editors
Vanessa Ho (she/they) joined Project X in 2011 and became its executive director in 2019. Her tenure at Project X has provided her many valuable opportunities to meet and connect with sex workers in Singapore and around the world. She has also written and spoken extensively about sex work, human trafficking, rape culture, and LGBTQ rights in Singapore. Vanessa holds the view that if people can speak about sex, gender, and sexuality in open and in non-judgmental ways, society will become a safer place for everyone.
Raksha Mahtani (they/them) is a researcher-writer-facilitator and vice-president on the board of Project X. Notable contributions include working on the organisation's membership model, the voluntary industry exit programme, and report writing. Their master’s thesis research examines labour market hierarchies in Singapore’s sex industry, with research interests that nestle at the intersections of social inequality, friendship, migration, feminism, and multiracialism. Raksha has been published in rivulet 10 and Exhale, and has also performed spoken word as part of Sekaliwags and Mass Hysteria.
nor (they/them) is the Programmes Manager at Project X. Their favourite part of working at Project X is being able to experience the generosity shown by sex workers in telling their stories. Outside of Project X, nor is a multidisciplinary artist, poet and 1/6th of the Studio Ong collective.

Everyday Modernism: Architecture and Society in Singapore ◎Jiat-Hwee Chang and Justin Zhuang
平常價 $65.00Everyday Modernism is the first comprehensive documentation of Singapore’s modern built environment. Through a lens of social and architectural histories, the book uncovers the many untold stories of the Southeast Asian city-state’s modernization, from the rise of heroic skyscrapers, such as the Pearl Bank Apartments, to the spread of utilitarian typologies like the multi-storey car park. It investigates how modernism, through both form and function, radically transformed Singapore and made its inhabitants into modern citizens. The most intensive period of such change happened in the 1960s and 1970s under the rise of a developmental state seeking to safeguard its new-found independence. However, the book also looks both earlier and later, from between the 1930s to the 1980s, to cover a wider range of histories, building types and also architectural styles, expanding from the International Style and Brutalism and into Art Deco and even a touch of Postmodernism.
The book’s 33 essays are richly illustrated with some 200 archival images and drawings as well as more than 90 contemporary photos by architectural photographer Darren Soh. It covers the beginnings of Singapore's modern landscape, including its first condominium, columbarium, flatted factory, and pedestrian overhead bridge, amongst others. But the book is also interested in endings, investigating how modern buildings have changed over time, and been adapted for new uses or even threatened with redevelopment today. By examining the evolution of the once exceptional into the typical and by learning how abstract spaces become lived places, the book traces how modernism has become part of everyday life in Singapore.
- Donald McNeill, Professor of Urbanism, School of Architecture, Design and Planning, University of Sydney
- Miles Glendinning, Professor of Architectural Conservation, University of Edinburgh
- Hubert-Jan Henket, Founder and Honorary President of DOCOMOMO International
Jiat-Hwee Chang is associate professor at the Asia Research Institute and the Department of Architecture, National University of Singapore.
Justin Zhuang is a writer and researcher, and co-founder of Singapore-based writing studio In Plain Words.
Darren Soh is an award-winning photographer.
The Art of Being a Grandmother: An Incomplete Diary of Becoming◎Dana Lam
平常價 $45.00“We obsess about who they look like - the papa, the mama, a cousin, one or other of grandparents.
Mostly, they look like each other. Or like bugs. Or burritos.”
What does it truly mean to be a grandparent — to care for and nurture young life as you look back on your own, and experience the world afresh through their eyes?
The Art of Being a Grandmother: An Incomplete Diary of Becoming is an honest and heartfelt exploration of self — as a mother, grandmother, visual artist and writer. Following her acclaimed autobiographical play, Still Life (2019) with Checkpoint Theatre, Dana Lam invites you into her world as she chronicles the process of becoming a grandparent through her art and writings. The careful interweaving of candid, meditative journal entries with stunning watercolour and ink renderings of scenes of her daily life deftly captures the unique pleasures and challenges of grandparenthood. Poignant, tender, and funny all at once, this volume will delight readers of all ages with its warmth and wonder.
“Being a mother is, arguably, a choice for some.
Being a grandmother is a decision made for you by someone else.”
A 200-page visual journal by Dana Lam; edited by Huzir Sulaiman, with curation, design and layout by Marc Gabriel Loh.
Author's Bio
Dana Lam is a visual artist and writer, and an Associate Artist with Checkpoint Theatre. In 2019, she performed her play Still Life, which she developed with Huzir Sulaiman and Claire Wong of Checkpoint Theatre over three years. It included a year of exploration and painting in her studio.
She most recently wrote and performed the erotic monologue Why Not Sex in Not Grey: Intimacy, Ageing and Being as part of the Festival of Women: N.O.W. 2021, directed by Noorlinah Mohamed for T:>Works.
Dana has performed in Jerome Bel’s Gala (TheatreWorks, 2016), Joavien Ng’s Incarnation of the Beast (TheatreWorks, 2015) and Dream Country – A Lost Monologue (Singapore Arts Festival, 2012). Her writing credits include the book Days of Being Wild: GE2006 Walking the Line with the Opposition (Ethos Books, 2006). Her visual art has been shown in the Singapore Art Museum and the Substation Gallery. Her 500-piece installation work When Bellies Speak: You Are Your Own Work of Art was held at Hong Lim Park on 8 March 2015.
Outside of performance, Dana has worked as a newspaper reporter and volunteered with AWARE (Association of Women for Action and Research), serving as its President from 2000-2002 and again, from 2009-2011.
Shaolin and You◎Poon Yew Fai
平常價 $36.00Evocative and detailed, poetic and reflective, "Shaolin and You" takes a plunge into the pugilistic and epic world of Shaolin, bringing readers on a colourful journey to discover an ancient craft rooted in history and tradition. A tribute and celebration of Shaolin Kung Fu, "Shaolin and You" delves into its history, origins, little complexities and lessons through a delightful feast for the senses - where chapters are stuffed with snippets of art, photographs, poems, anecdotes and illustrations of all things Shaolin.
Author's Bio
Poon Yew Fai started practising pencil drawing as a serious hobby only after entering the workforce, despite having a love for it while growing up in Singapore. He also enjoys Hong Kong action, Kungfu and Wuxia films, especially those from the mid-1980s to 1990s - widely considered to be the golden age of Hong Kong action films. Yew Fai considers his blending of graphite drawing with digital effects an ongoing personal experiment, and is never quite sure how his next Kungfu artwork could turn out. Shaolin Musings is his first self-published collection of Kungfu artworks.

Anything but Human
平常價 $23.00“The land is furrowed deep with worry. The angsana trees are turning orange with pain.” This collection emerges, squeaking and poorly oiled, from this rubbish heap we’ve all piled up. It revels in the transfixing beauty of this last age of man. These poems have dwelt too close to the nuclear waste facility. These poems have traversed through fields of madness for grains for truth. These poems attempt to wring the last dregs out of language. Anything but Human grasps for a poetry beyond our collective exhaustion.
About the Author
Daryl Lim Wei Jie is a poet, writer and literary critic from Singapore. His first book of poetry is A Book of Changes (2016). He is the co-editor of Food Republic: A Singapore Literary Banquet (2020), the first definitive anthology of literary food writing from Singapore. He was quoted in international media for his tabulation of similar texts in the plagiarism of the cookbook by Sharon Wee by Elizabeth Haigh. His poems won him the Golden Point Award in English Poetry in 2015, awarded by the National Arts Council, Singapore.

Food Republic: A Singapore Literary Banquet
平常價 $32.00Food Republic is a generous serving of Singapore's food culture: from the making and eating of food, to the sale and hawking of it, our love and hate of it, and the effects of its consumption and deprivation.
Food has always been our safe space, our comfort zone: a place where we could freely engage in heated arguments about the best nasi lemak, the most fragrant cendol and whether the standard of the stall has dropped or not. Yet this anthology, featuring more than one hundred literary explorations of our food and food culture, also shows that when people write about food, they often aren't just talking about food but usually about something else, closer to the heart. Or the bone.
Curated from previously published work and selections from an open call, the poems, fiction and non-fiction in Food Republic range from the passionately realised to tantalisingly surreal. Think of it as a buffet, a banquet, an omakase, a smorgasbord, a nasi padang spread, a thali or a rijssttafel – we hope we've assembled one to your taste. Come. Eat.
Some Contributors: Arthur Yap, Leong Liew Geok, Edwin Thumboo, Toh Hsien Min, Wong Phui Nam, Shirley Geok-lin Lim, Koh Jee Leong, Lee Tzu Pheng, Joshua Ip, Margaret Leong, Alvin Pang, Catherine Lim, Ng Yi-Sheng, Amanda Lee Koe, Alfian Sa'at, Wong May, Gopal Baratham, Desmond Kon Zhicheng-Mingdé, Yong Shu Hoong, Aaron Maniam, Hamid Roslan, Daren Shiau, Boey Kim Cheng, Theophilus Kwek, Cyril Wong and Jennifer Anne Champion

A Book of Changes
平常價 $16.00Change is what happens to everything: history is humanity's attempt to make sense of this inevitability. In his debut collection of poetry, Daryl Lim Wei Jie paints minute strokes that give way to panoramas, strewn with unusual asides: migrants crossing oceans; an ancient king reclaiming a throne; rivers clogged with corpses; the paperwork for an invasion; a milo dinosaur the height of Mount Everest. A Book of Changes is a young poet's attempt to make sense of the impossible ebb and flow of time.

And The Walls Come Crumbling Down (Hardback)
平常價 $25.00In 2003, a young woman leaves home without telling her family that she is not coming back. She spends the next six years moving from house to house and living hand-to- mouth; at first with her lover, and then alone.
And The Walls Come Crumbling Down parallels three events in the author’s life: the physical deterioration of the house in which she lives, the emotional disintegration of a couple once in love, and the unearthing of childhood ghosts that can’t seem to be cast off. Part memoir and part poetic rumination, it is an ode to love, loss and the people and places we call home.

After You
平常價 $25.00In a lasting marriage, one could still outlive the other. A poet gazes upon his older partner, pondering the inevitable. Panic, heartache, and a surprising sense of acceptance, interwoven with instances of joyful resilience, punctuate the ordinariness of their everyday lives and occupy these poems about same-sex love, death, and the fragile art of testimony.

A Luxury: Omnibus Edition
平常價 $28.00A Luxury: Omnibus Edition is simultaneously a time capsule and a time-machine. The first volume, A Luxury We Cannot Afford, bottled the lightning of poetry, prose and plays in 2015. The second, A Luxury We Must Afford, took a leap forward into the unknown future of Singapore. You will find something to please and pique every reader in this anthology.

SATORI BLUES
平常價 $10.00SATORI BLUES
by Cyril Wong
published by Math Paper Press
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Cyril Wong’s longest and only Zen-inspired poem to date, Satori Blues is a response to writings by teachers of Buddhism and post-Buddhist philosophies. Composed as a stream of thought—at times epigrammatic, philosophical, fragmented, even exclamatory—the poem has been described by The Oxford Companion to Modern Poetry in English as ‘a sustained meditation that recalls turn-of-the- century Geoffrey Hill in its intricately patterned probing.’

AFTERIMAGE
平常價 $16.00AFTERIMAGE
by Werner Kho
published by Math Paper Press
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Afterimage: an image that continues to appear even after the original has ceased. Werner Kho’s debut poetry collection is both personal and yet universal, an exploration of the process of loss and how they come back to us in every different angle.

ARIA AND TRUMPET FLOURISH
平常價 $16.00ARIA AND TRUMPET FLOURISH
by Rodrigo Dela Peña, Jr.
published by Math Paper Press
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In a world inundated by all kinds of texts that can be scanned almost as soon as they’re produced, and that as quickly shimmer away into oblivion, I am overjoyed to sit and read Rodrigo Dela Peña, Jr.’s much anticipated first full-length collection Aria and Trumpet Flourish.
Even while observing the necessary ceremonies that we must accord our living, the poet never forgets “time’s swift tumble,” the “tar-spackled road” or its “hairline cracks.” Unlike the ostentatious noise made by certain kinds of musical and other fanfare, the voice in these poems sings always out of a sense of urgency underwritten by love.
In this collection marked by masterful clarity and dexterous handling of forms (including ghazals, villanelles, abecedarians, and epistolaries), we glimpse monks walking the roads, crowds in the hellish circle of an MRT station at the end of the day, and the ghost of Jose Rizal in the Singapore Botanic Gardens. The poet recalls boyhood breakfasts fortified with bile and innards; and, for all his wandering, turns again and again to little towns and dusty barrios with homely names where a jukebox plays in a noodle shop called Tres Hermanas. He promises us: “This is my devotion: to account for the world’s bounty, its finite grace.// To exalt the flourishing it contains, to ache for what is taken away” (from “Compline”).
These are poems I will want to accompany me through the ordinary and other emergencies of everyday life; through the rest of the year, and beyond. In them, I might hope to learn more about the chrysalis’ secret—how, from its gold wreck of discarded laments, a dying self might help to birth a new one.
- Luisa A. Igloria, author of The Buddha Wonders if She is Having a Mid-Life Crisis (Phoenicia Publishing, Montreal, 2018); Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014); Juan Luna’s Revolver (University of Notre Dame Press, 2009), and other books

CAPITAL MISFITS
平常價 $19.00CAPITAL MISFITS
by Julie Koh
published by Math Paper Press
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A capsule collection of surreal short stories from one of Australia's rising stars.
A woman arrives on the seventh level of Heaven, only to realise it is a trading floor where the dead swap their karma before rebirth. In a Sydney laboratory, a vagrant participates in cosmeceutical trials in return for a Rolex watch. On an island made out of sugar, a student questions the rule of the benevolent Sugar Daddy. At an open mic night in New York, a zen poet takes the stage and begins to tell the greatest, most devastating joke in the world. In this blackly funny parallel universe, Koh explores the absurdity of a world in which the market has become God.
This special edition of Capital Misfits is illustrated by award-winning New York-based artist, Matt Huynh.

A TREE TO TAKE US UP TO HEAVEN
平常價 $19.00A TREE TO TAKE US UP TO HEAVEN
by Jordan Melic
published by Math Paper Press
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Kueny isn’t much of a worrier, except maybe when it comes to her father, the Custodian of a Thousand Generations, whose soul is hanging by a thread. But when her brother, Ah Ti, inherits the throne and smashes the Watercress Elixir that preserves her family’s heavenly reign, her worries take on a whole new dimension.
Left with no choice, the siblings set out in search of a new home, embarking on a perilous journey that takes them through 14th century Majapahit and 19th century Malaya, where they encounter a dreamy prince who promises them the world, and end up in a sparkling city that will consume everything they know.
A mix of mythology, history and adventure—think Journey to the West meets Huckleberry Finn—Ah Ti and Kueny’s story is about growing up and finding a place for oneself in the world. It is also a story of Singapore, different from the one commonly told—an attempt to capture a sense of the fullness of time contained in the land and its people.

TALES FROM A TINY ROOM (2ND PRINTING)
平常價 $19.00ALES FROM A TINY ROOM (2ND PRINTING)
by Wayne Rée
published by Math Paper Press
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Two gods sit on a park bench and compare universes. A woman has to find herself after discovering she’s an unwanted clone. A man changes with every city he’s in. An ancient beast hunts a very real monster.
Fourteen stories, taking you from the everyday to the extraordinary. These are the Tales From a Tiny Room.

SIKIT-SIKIT LAMA-LAMA JADI BUKIT
平常價 $19.00SIKIT-SKIT LAMA-LAMA JADI BUKIT
by Annaliza Bakri
published by Math Paper Press
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When physical spaces make way for development, we risk historical amnesia. A place evokes a sense of belonging. It sustains our memory of who we are and where we are in the ebb and flow of humanity. Once lost, it can never be recovered. A person emptied of memory is one floating in an open sea without any anchor.
This anthology revisits lost places in Singapore. But not to reminisce or to evoke nostalgia. These poems express what these places mean to the poets and people who built this nation. They interweave social narratives with a strong desire to combat the loss of our memories, names, buildings, roads, trails, episodes, incidents, everything that is us and ours. They represent hope: of what was then, what we are, and what we can be.
Thought-provoking yet moving, these poems are the hidden gems of our literary tradition, unveiling a piece of our social tapestry with every turn of the page: a shared journey in which one rediscovers a lost fabric of our interwoven history.
This anthology features award-winning poets such as Cultural Medallion recipients — Mohamed Latiff Mohamed and Suratman Makasan, accomplished poet-painters like Abdul Ghani Hamid and Suraidi Sipan, our brilliant Sufi poet — Johar Buang, as well as young talents such as Zulfadli Rashid and Noorhaqmal Mohamed Noor. Our acclaimed female poets Hadijah Rahmat, Amanah Mustafi and Kamaria Buang, also illuminate this poetic journey. These voices have been nothing but enlightening and empowering as they bear witness to the challenges and concerns of the people in the midst of change and transformation.

THE MONSTERS BETWEEN US
平常價 $16.00THE MONSTERS BETWEEN US
poems by Jason Wee
published by Math Paper Press
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In his debut poetry collection, Jason Wee returns to ‘1987’, the installation work he first introduced to art audiences at the first Singapore Biennale in 2006.
The monsters Wee renders are present creatures, some cruelly alive, each shadowed by a long tail of mastery and mortality. With interlocking sequences, Wee shifts from Grimm’s stories to the small frail species among us, arriving at the volume’s central sequence, “Unreliable Evidence”. Composed from newsprint, detainee reports, speech transcripts and redacted accounts, this bravura sequence is suffused with the songs of childhood and the anger of unaccounted injustices. We watch and listen to a voice come of age in a time of great superhero comics and romcom movies, pop music and primary schools.
"Engaging and thought-provoking... Wee presents a fresh and ageless view of the bizarre and the mundane."
— Ovidia Yu

AN EPIC OF DURABLE DEPARTURES
平常價 $16.00AN EPIC OF DURABLE DEPARTURES
by Jason Wee
published by Math Paper Press
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This new poetry collection stands as a record of a friendship between two artists formed in the shadow of illness and mortality. Using the renga and haiku as departure points, Wee wrestles with the limits of art and of the document even as he summons werewolves, ghosts, and other myths. Faced with the inadequacies of witness, An Epic moves towards the living in reverse time, opening with obituaries and ending with a renewed beginning.

SONNETS FROM THE SINGLISH: UPSIZE EDITION (2ND PRINTING)
平常價 $17.00SONNETS FROM THE SINGLISH: UPSIZE EDITION (2ND PRINTING)
by Joshua Ip
published by Math Paper Press
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sonnets from the singlish is a collection of 88 poems on love, language and the pursuit of laughter. the poems are loosely translated from the english-based creole language colloquially spoken in singapore, widely known as singlish.
the poems were originally composed in the sonnet form, an archaic italian fourteen-line rhyming verse form that follows the rhythmic rules of iambic pentameter. people still write like this primarily for ease of formatting. they are most tolerable when read out loudly in a singaporean accent.

FOOTNOTES ON FALLING
平常價 $16.00footnotes on falling
by Joshua Ip
published by Math Paper Press
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footnotes on falling is a collection of 44 poems about sub-optimal life choices. the poems constantly laugh at themselves because they are polite, and asian. they shuffle their feet sideways while declining eye contact. they indulge in wordplay because it gives them something to do with their fingers. they prefer to read out but also prefer this be done in private. they secretly would like you to bring them home.

MOTHER OF ALL QUESTIONS
平常價 $16.00MOTHER OF ALL QUESTIONS
by Grace Chia
published by Math Paper Press
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Mother of All Questions is Grace Chia's third poetry collection about womanhood exploring what home means, how personal identities intersect and the meaning of life by examining domestic psychodrama, childhood innocence, gendered rebellion and the intimate dynamics of love, desire and loss. In Chia's lyrical and elegiac poetry, she makes putty of the female body's vast and richly textured landscape to mould stories of sentiment and the sensuous into callused and tender truths.

WE R FAMILY
平常價 $19.00WE R FAMILY
edited by Grace Chia
published by Math Paper Press
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Families come packaged in all shapes and sizes. At the heart of every family unit is love — or what passes off as love.
A father and son bond over a loss — with wool. A myopic daughter sees her parents clearly for the first time. Two mental patients learn to coexist under the same roof. An American biracial dad finds moorings with his African adoptee. And a Kiwi mum in a mixed family grows roots in multicultural Singapore.
An anthology of eight unforgettable tales, We R Family celebrates the family in its colourful diversity from the whispers of homes in nameless cities to the metropolises of SIngapore, New York, Mumbai and Addis Ababa to the suburbs of Indiana and Connecticut.

BELOW: ABSENCE
平常價 $16.00BELOW: ABSENCE
by Cyril Wong
published by Math Paper Press
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In his third collection of poems, Cyril Wong wrestles with absences behind the everyday hope of recovering new justifications for a more meaningful existence. His poems move from explorations of love to articulating the demands of loss and memory that drive the desire to poetry.

UNMARKED TREASURE
平常價 $16.00UNMARKED TREASURE
by Cyril Wong
published by Math Paper Press
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A ghost steps out of its body after a suicide and looks back at it in wonder. The poet wonders at his own existence and struggles between actual living and a desire to depart. Recipient of the Singapore Literature Prize, this collection is Cyril Wong’s most personal sequence of poems, held together by memories about family life and intimate relationships, these moments charged with the pain of love, dreams and death and an unflinching exploration of the self.

'OTHERS' IS NOT A RACE (3RD PRINTING)
平常價 $19.00'OTHERS' IS NOT A RACE (3RD PRINTING)
by Melissa De Silva
published by Math Paper Press
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What is a Eurasian? Are Eurasians Singaporean? What does it mean to be a Eurasian living in Singapore?
While having existed in Singapore as long as any other community, Eurasians, who comprise less than one percent of the population, still remain a fairly obscure group to many Singaporeans.
'OTHERS' IS NOT A RACE is a tapestry that weaves together the multiple genres of narrative fiction, creative nonfiction, literary food writing and family memoir, to offer insight into the micro-minority Eurasian community through the intensely personal lens of the writer's own experience living and growing up as a Eurasian in Singapore. Throughout are interwoven the themes of memory, loss, language, identity and cultural reclamation.
Similarly, it is a reflective and provocative journey of self-discovery; a journey the reader may also take to explore what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community