現有存貨

Loong’s Tales: Comprising five science fiction stories centred on the figure of the Chinese dragon, the anthology presents contemporary Chinese writers’ reimagining of this ancient totem through the lens of modern science and speculative thought.

Spanning themes from genetic engineering and climate change to extraterrestrial civilisation, these stories explore how the image of the dragon evolves alongside technological progress, taking on new forms and meanings in a rapidly changing world. As noted by Xueting C. Ni, the dragon is a shared cultural symbol across civilisations, and in Southeast Asia in particular, the loong continues to inspire visions of the future. This collection brings together writers, editors, and translators from China, Singapore, and the diaspora, offering a rich, cross-cultural dialogue.

The anthology also features a foreword by Michael Swanwick (the five-time Hugo Award-winning author), who describes it as “a body of work by writers who are grappling with the darkest issues of our times but still finding reasons for optimism. Or, if not optimism, at least courage.”

Among the stories, “Regarding Why Humans Have to Seek Dragons” by Baoshu received both the 2025 Galaxy Awards and the Silver prize for Chinese Nebula Awards for Best Short Story. This work, together with “Becoming a Dragon” by Wang Xiaohai, was selected for the 2024 annual recommendation list by the Chinese Science Fiction Database.

More than a reinvention of myth, Loong’s Tales is a sustained enquiry into the relationship between civilisation, nature, and technology. The dragon here is not a relic of the past, but a living concept — reshaped, contested, and reimagined in the present. You may have heard many stories about dragons before, but not like these.

Warning: Suicide and mentions of sexuality correction procedure (Becoming a Dragon by Wang Xiaohai)

《字花》119期「當體育遇上文學」

119期《字花》以「當體育遇上文學」為題，從小說、新聞到翻譯，探索文字如何書寫運動的激情，亦思索運動如何滋養文學的心靈。

喬靖夫以小說捕捉場上的熱血；三島由紀夫、卡繆、村上春樹則在運動中修煉身心。體育新聞展現非虛構文學的潛力，甚至連譯名也蘊含文字的趣味。

文學的足跡不僅停留於本地，而是向外伸展，觸及更廣闊的地域與文化。港台文學的遷動與經營，揭示跨境交流的挑戰與可能；與泰國作家的對話，則讓我們聆聽另一種語境下的創作心聲。文學讓我們對世界詰問、思索，讓《字花》不只是一方之聲，而是跨地域的文學對話。

此外，延續在地探索。土尋香從獨立音樂延伸至粵劇；並有香港動畫《世外》美術總監張小踏的漫畫創作。訪問東方昇，呈現本地多媒體創作者的多重面貌。

在多重交織的篇章裡，《字花》既回望日常，也伸向世界。我們相信：文學的真正力量，正是在於它能不斷打開新的入口，讓我們在熟悉與陌生之間，持續反思、對話、想像。
文學既在地，也能遠行。

精彩內容包括：

專題「當體育遇上文學」

●宇煦訪談喬靖夫〈由武林到球場〉
「不過如果沒有了那個情緒或內心，那只是10個人在一個球場裏跑動，沒有了感受。」——喬靖夫
從武俠的刀光劍影，延伸到球場的汗水與速度。喬靖夫以小說捕捉動作的張力，讓讀者在文字裡感受運動的激情與節奏。
●楊可山〈體育新聞作為非虛構文學的潛力〉
體育新聞不只是報導，它的敘事、節奏與現場感，也可以成為非虛構文學的一種。楊可山以專業經驗，細緻分析其中的可能性。
●華湯根〈當Zenyatta譯為信雅達  談體育譯名的文學性〉
當譯名不只是翻譯，更是文字的遊戲。從人名到馬名，華湯根分享體育翻譯的趣味，揭示其中的文學性。
●三島由紀夫、卡繆、村上春樹在運動中修煉身心
大文豪也要做運動！三島由紀夫的健身狂熱、卡繆的足球夢、村上春樹的長跑哲學——文學家在運動中鍛鍊身體，也修煉心靈，將運動化為人生的隱喻。
●編輯專文〈不負責任嚴選必睇三本體育經典文學〉
從賽場到書頁，精挑三本體育經典。這些作品是體育迷的文學入口。
特稿、專欄、解像

●特稿收錄｜2026台北書展活動：

曾繁裕 × 陸穎魚〈編輯之必要，詩與書店之必要〉
從《字花》編輯到台灣獨立書店「詩生活」，兩地出版與書店經營的經驗交流。編輯的堅持與書店的日常，交織出文學與社群的必要性。
Sunnie Wong 專訪威拉蓬·尼迪巴帕〈蚯蚓和貓與歷史的記憶〉
延續訪問譯者的緣分，在書展現場與作者的對話。專訪泰國作家威拉蓬·尼迪巴帕，一起談談泰國華人的歷史與記憶和文學，揭示書寫的另一種心聲。
●李維怡專欄「石頭記」以小說連載形式，以奇幻筆觸描寫無何有鄉的移動石頭。故事融合社會諷刺，探討都市壓力與神秘事件，揭露官僚無能與鄰里衝突。
●解像收錄陸穎魚及水告三木兩篇文章，分別談談香港、台灣兩地詩人。

《花字》
●專訪東方昇，回望他的創作軌跡。從《六點半左右新聞報道》到百公里越野跑的身體挑戰，東方昇以癲狂與堅持，將新聞、社會、運動化為創作舞台。究竟在都市上空的鋼線上創作，鍛鍊運動員般的鋼鐵意志，把身體推向創作的極致，對一位內容創作者而言，又是一種怎樣的自覺？
「個框係你自己設定嘅。你嘅水喺杯入面，我嘅水倒咗落大海。覺得被人框住，其實個杯係你自己框住自己。」
「進一步，先係海闊天空。」
——癲狂之內外的創作馬拉松——專訪東方昇
●土尋香探索另一個文化瑰寶——粵劇
江駿傑帶領讀者上舞台，見證演員臨場「爆肚」的即興與「提綱戲」的框架交錯，如何形成一部無字天書，展現粵劇獨特的口傳與身體記憶的創作自由；朱少璋寫出《帝女花》經典之處，不只是劇目，更是粵劇文化的核心符號，思索它如何成為粵劇史上不能忽視的存在。
●更多精彩內容包括：香港動畫《世外》美術總監張小踏的漫畫創作《另一條線》及古埃及文明大展專訪。

刊物簡介

　　《字花》是香港一本雙月刊文學雜誌，於 2006 年 4 月創刊，由水煮魚文化製作有限公司出版，用文 學視角直接介入社會文化議題。專題以外，每期均有文字、視藝和跨媒體創作，以及文學、影視和 文化評論，以「立足本地，放眼世界」為旨，力圖打破香港文學雜誌的固有形式，以展示文學年 輕、活潑和多元化的一面。

網頁：http://zihua.org.hk/ Facebook
專頁：字花 | https://www.facebook.com/fleursdeslettres/
水煮魚文化 | https://www.facebook.com/spicyfish001/

数学上的加法和减法，实际上是一种实践性极强的生活哲学，它贯穿到人生的里里外外、方方面面；如果运用得宜，无往不利。对于甘为孺子牛的老师而言，如能灵活利用这套“加减法”，相信在教学工作上也能事半功倍。

此外，在人生旅途中，“加减法”同样能够在思维层面上深入地影响一个人的生活品质。以《加减人生：畅谈处世之道》为书名，主要是想和大家分享这门充满智慧与快乐的处世哲学。

全书总共分为八辑：《求知若渴》、《微笑的哲学》、《诚信是金》、《智慧的火花》、《笑眼看世情》、《逆风飞翔》、《尘世浮雕》和《地球是我家》。

尤今通过一个个妙趣横生的真实故事，让人在会心的微笑里收获温暖与感动。
书中收录的50篇文章，有些曾发表于《联合早报》（新加坡）、《新民晚报》（中国上海）和《羊城晚报》（中国广州），并被中国其他报刊杂志转载。

After many years abroad, Roz and Harun return to Malaysian Borneo for the funeral of their father Yusuf – and to reckon with their inheritance. A renowned palm-oil baron during Malaysia’s economic rise, Yusuf built the family’s immense wealth by destroying huge tracts of rainforest. What his children know is that he was also responsible for the violent disappearance of a man who stood in his way.

Harun has become a successful tech entrepreneur in Los Angeles, Roz is an artist struggling to stay afloat in Sydney. Now they want to return something their father stole from the forests of their homeland. In their quest for redemption they grapple with the legacy of power and corruption, dreamers and exiles, thugs and zealots. Most dangerous of all, they are haunted – by the ghosts of colonialism, the ghosts of family, the ghosts of language, and the ghosts of the forest itself.

A trailblazing journey across the globe, Fierceland weaves the past and the present into an emotionally powerful family saga that plays out at a mythical scale.

Growing up was never meant to be easy for Michelle Tan. Her older sister Meredith lies in a hospital ward, unconscious and barely breathing. Sorrow-stricken, the younger girl dives headfirst into her memories – the first time Meredith taught her how to swim, their first mid-autumn festival together and her father’s untimely departure. But that only accounts for Michelle’s worldly worries. She also thinks she’s being followed. By what – she can’t exactly put a finger on. Clumsily, she navigates the arduous process of growing up and coming to terms with who she truly is while a supernatural enigma looms.

Young Constable Michael Chakrabarti experiences strange happenings during his night shifts. Mysterious recurring phone calls from an exasperated girl, a ferocious, shadowy lion of mythological origin; there doesn’t seem to be an end to the peculiarity that haunts him. Demystifying the unknown has consequences.

Captain Ishaan heads the newly-inaugurated Department of Supernatural Oddities. Shouldering the burden of being at the forefront of a revolution in science that could potentially decipher the supernatural, Ishaan soon realises that he might be too close to the puzzle for his own good. Can he truly exorcise the demons of his past?

Reality is a luxury. The Truth is never linear.

In 2017, I started my research on the fate of granduncle Silvestr Nemec, a young Czech employed by the Bata Show Company in Singapore, who volunteered to fight the Japanese when they invaded the island during World War II. He went missing in 1942 and was involved in two historic events of the falls of Singapore: the battle of Pasir Panjang Ridge where the Malay Regiment made their last stands on Bukit Chandu and the Alexandra Hospital massacre.

Over time, my quest produced whole collection of stories that spanned a century and across continents, covering not just Silvestr’s life but also the Bata company in the Far East, other Czechoslovaks who lived in Singapore before and during World War II, as well as my own journey of discovery.

Not in my wildest dreams did I expect that my research would take my so far. On many occasions - such as when I was studying how Tomas Bata organised his business, or what other Batamen captured in their diaries, letters and articles about their works and life in Singapore in 1930s - I could vividly picture Silvestr in those contexts and situations.

My book about my granduncle Silvestr was first published in Czech in October 2020.

Meet Singapore’s brightest sporting stars in this exciting collection, as the country celebrates SG60! Singapore’s Sports Champions is a six-book series that brings to life the incredible journeys of eight local athletes who chased their dreams. Each book is packed with stories of determination and triumph, inspiring children to believe in themselves and never give up!

Filled with fun facts and motivational lessons, Singapore’s Sports Champions is the perfect gift for young readers who love sports and real-life inspiration. Each story proves that with heart, hard work, and a little bit of Singaporean spirit, anything is possible.

Ideal for ages 7-12, this box set will ignite the champion in every child! 

Part of the proceeds will go to the Singapore Olympic Foundation.

Singapore operates in a dangerous world — a world where might is right, where the strong eat the weak, and where small countries are, all too often, expected to submit to a brutish order. 

This is the harsh reality that Singapore diplomats have faced over the past 60 years of the nation’s independence. Yet, they have clung resolutely to the belief that Singapore has the right to determine its own future. Amid violence and volatility, generations of foreign service officers have steadfastly advanced Singapore’s interests on the global stage — while remaining clear-sighted about the nature of the world we live in. 

The Ministry of Foreign Affairs (MFA) has played a critical role in charting Singapore’s path to prosperity through crisis and conflict. Ironically, its work remains largely invisible to the public. Not So Little Red Dot: 60 Years of Singapore’s Diplomacy is an attempt to peel back the curtain on six decades of foreign policy, and the men and women who have made it possible. The book spotlights seven episodes largely from the 21st century that illustrate key tenets of Singapore’s approach: 

• Russia-Ukraine War — Sovereignty
• Gaza Crisis — Humanitarian Aid
• Vaccines — Multilateralism 
• Trump-Kim Summit — Honest Broker
• Points of Agreement with Malaysia — Neighbourliness 
• ASEAN formation — Centrality of ASEAN 
• COVID-19 evacuations — Consular Assistance

Each chapter offers an accessible reading experience by blending comics from veteran artist Cheah Sinann and prose written by a team of seven writers from The Nutgraf. The content and communications agency was behind bestselling titles such as The First Fools: B-Sides of Lee Kuan Yew’s A-Team. Not So Little Red Dot: 60 Years of Singapore’s Diplomacy is authorised by MFA to celebrate its 60th anniversary. 

Finalist for the 2025 Epigram Books Fiction Prize

A mythic historical novel by two-time Singapore Literature Prize winner.

Utama reimagines the rise of Sang Nila Utama through the eyes of those who shaped his path— exiles, warriors and queens. From the Chola invasion to a fateful sea crossing, ambition and betrayal forge an empire. As dragons fall and a sea goddess awakens, the Lion City is born.

Embrace life after breast cancer—your best years yet.

Featuring insights from oncologists, physiotherapists, dieticians and courageous survivors, this wellness guide covers everything from understanding breast cancer and treatment options to practical diet and exercise tips. Learn how to manage menopausal symptoms, navigate pregnancy planning and support emotional health after surviving breast cancer. With holistic approaches, including Traditional Chinese Medicine and healthy recipes, this book provides essential tools for reclaiming your health and happiness.

　　《北国南洋》与《在雨中》是从作者近二十年的随笔中精选出的散文结集。

《北国南洋》包含 50 篇散文，作者深情回忆北国故乡的四季自然、人情风物、教育成长与血肉亲缘，情感真挚，文笔优美；同时记录南来狮城迄今，潜心向学、职场成长、恋爱婚姻的点点滴滴，尤其从陌生到热爱、从文化适应到身份转变的心路历程，行文历历，娓娓动人。

　　喜欢阅读，含英咀华，醉在其中；也沉湎于艺术，潜移默化，香息熏染。故乡味道，南洋美食，从唇齿到心神的寄托与品味；生涯遇见，良师益友是一生的珍惜；草木含情，风物长宜，所有际遇都化作赏心乐事。《在雨中》57 篇散文随记，从不同角度记述作者在风下之地的参差行止文化随想，是一本充满了深情感恩的心灵画图。

作者简介

　　王虹宇，出生于中国河北，曾为讲师，热爱教育，享受课堂。千禧年来到新加坡，曾担任多年总裁助理，也兼任教职，在商务、社团、文教领域历练成长。目前是文化工作者，任职吾庐俱乐部经理。所学专业涉及政治、经济和管理，偏爱历史、文学与艺术。个性沉静，喜欢阅读，习惯以文字记录工作生活中的所思所感。即使逆风，依然有梦，一切都在学习中。作者简介

　　《北国南洋》与《在雨中》是从作者近二十年的随笔中精选出的散文结集。

《北国南洋》包含 50 篇散文，作者深情回忆北国故乡的四季自然、人情风物、教育成长与血肉亲缘，情感真挚，文笔优美；同时记录南来狮城迄今，潜心向学、职场成长、恋爱婚姻的点点滴滴，尤其从陌生到热爱、从文化适应到身份转变的心路历程，行文历历，娓娓动人。

　　喜欢阅读，含英咀华，醉在其中；也沉湎于艺术，潜移默化，香息熏染。故乡味道，南洋美食，从唇齿到心神的寄托与品味；生涯遇见，良师益友是一生的珍惜；草木含情，风物长宜，所有际遇都化作赏心乐事。《在雨中》57 篇散文随记，从不同角度记述作者在风下之地的参差行止文化随想，是一本充满了深情感恩的心灵画图。

作者简介

　　王虹宇，出生于中国河北，曾为讲师，热爱教育，享受课堂。千禧年来到新加坡，曾担任多年总裁助理，也兼任教职，在商务、社团、文教领域历练成长。目前是文化工作者，任职吾庐俱乐部经理。所学专业涉及政治、经济和管理，偏爱历史、文学与艺术。个性沉静，喜欢阅读，习惯以文字记录工作生活中的所思所感。即使逆风，依然有梦，一切都在学习中。作者简介

The poetry of Wong Phui Nam (1935–2022) is foundational to Malaysian literature in English, and while his early work is often cited and quoted in this regard, this edited collection of his poetry and critical essays makes it clear that his lifelong trajectory as a poet and critic is of deep interest. In the Mirror by Wong Phui Nam is a critical exploration of Malaysia’s fractured post-colonial identity and literary landscapes.

The editors worked with Wong to prepare his latest works In the Mirror (2000–22) for publication. This volume combines these with his earlier achievements, starting with How the Hills are Distant (1960–64). An introduction by the editors links Wong’s work with contemporary poetry in the region. An afterword by Wong’s contemporary Edwin Thumboo completes a volume that will be treasured for its historical context-making, but more importantly for the literary rewards of Wong’s poetry, written in unblinking confrontation with the contradictions and difficulties of writing in English in the region.

“Wong Phui Nam is one of the giants of Malaysian writing in English, a pioneering poet whose early work captured the cultural desolation of the immediate post-independence years…. His poetry collections, especially those containing multi-part poems, deserve to be read and studied in their entirety.”
- Ann Ang, National Institute of Education, Nanyang Technological University

Wong Phui Nam (1935-2022) was a Malaysian poet. 

Brandon K. Liew is a writer and editor, and currently a researcher at the University of Melbourne.

Daryl Lim Wei Jie is a poet, editor, translator and literary critic. His poetry collection Anything but Human (2021) was shortlisted for the Singapore Literature Prize.

Ink Studies explores contemporary practices of calligraphy in China, situating them in both a precarious and dynamic position. While people are increasingly writing less due to digitization, calligraphy is experiencing a revival partly fueled by governmental directives that promote “creativity” as a powerful discourse contributing to economic development. This book unravels intertwined imaginations of contemporary calligraphy in five different visual cultural fields in China today: calligraphy education, water calligraphy in public parks, modern calligraphic art, digital calligraphy and calligraphic font design. The various visual representations of the calligraphic sign within these fields are approached as active agents, demanding various physical and moral behaviors from practitioners. While calligraphy and creativity are often pitted against each other, as the nature of calligraphy is sustained through a culture of copying, the book challenges the perception of calligraphy as a static art, arguing instead for its creative potential in both formal and grassroots contexts. 

"Vermeeren's volume is the long-awaited 'missing course' for understanding Chinese calligraphy beyond conventionalized narratives. Focusing on new forms of shufa practice in everyday lives of Chinese people, it offers rich and gratifying food for thought on creativity, modernity, and the value of art in cultural politics and broader human experiences."  -- Yu Li, Loyola Marymount University

Laura Vermeeren is Assistant Professor of Cultural Heritage and Cross-Media at the University of Amsterdam, with a background in Chinese studies and a focus on creativity, everyday practices, and visual culture.

A woman. A hospital room. A marriage coming undone.

In Singapore, an ambitious, emotionally depleted expatriate mother checks her barely ill daughter into an upscale hospital—not out of medical necessity, but as a quiet, desperate act of self-preservation. For two nights, in the stillness of white sheets and fluorescent light, she finally breathes.

Her marriage is stable but sexless. Her career, stalled. Motherhood has become a performance she can no longer sustain—especially when she feels little love as a wife to a man untouched by desire.

In this raw, daring autofictive debut, Thammika Songkaeo explores what happens when a woman on the brink dares to confront the demons in her mind.

Set in Singapore but emotionally borderless, Stamford Hospital is a piercing portrait of burnout, resentment, and the silent rebellions that so often go unnoticed. This is a novel for anyone who has ever felt imprisoned by loneliness inside the very family they built.

‘Dissecting motherhood, marriage, and the cost of selfhood with razor-sharp precision.’ — Elle Singapore

Winner of the 2025 Epigram Books Fiction Prize

The final gripping chapter in the saga of Miss Cassidy.

The truth is out there. And somewhere, so is Miss Cassidy.

The Mystical Mister Kay, a ghost-seer from Singapore, arrives in the English city of Tolwich in search of his friend Miss Cassidy. But his investigation takes a darker turn: a princess is found dead, a cult-like fashion house holds the city in its grip, and a seminary for Asian royals hides secrets no one dares name. As gods from Ancient Greece and Asia slip into the mortal world, Mr Kay is pulled into a mystery that spans continents and mythologies—one that may bring him closer to Miss Cassidy, or destroy him trying.

《字花》118期「大埔故事」

【大埔故事】

・從硝煙到花香，記大埔最漫長的劫難／莫坤菱

・記火災的人和事／Nelson@埔報

・自此之後／曾繁裕

・世界／曾淦賢

【讀冊人語】

・恩恩復怨怨，江湖無了斷——評馬家輝《雙天至尊》／廖偉棠

・肉身與永恆，跨世紀的后羿魂遊——崑南《去年人間世》新書分享會側記／王兆基

【十年】

・迷失錦田：在走入酬恩建醮前／兩橋

・君子竹，十年醮／紅眼

【特稿】

・西西的旅遊書寫：埃及／何福仁

・重訪西西，思念西西

　——看「西西的房間盒子：從縫熊開始」／兩橋

・解構西西的語言迷宮

　——訪譯者Karin Betz、Jennifer Feeley及唐文／Sunnie Wong

・填補自然的留白

　——訪捷克駐港總領事與「建構身份：捷克平面設計的故事」展覽／黃言丹

・《等待果陀》林家棟專訪：來與不來，也蟄伏等待／紫翹

【電影筆記】

・亂世需要英雄：魏浚笙／紫翹、紅眼

・獨滄然而淚下

　——殺手的迷魅與脫魅／朗天

・訪舒淇：她在橋上看風景／紅眼

・舒淇的臉／梁恩翹

・拍一個 Take 就好，第二次感覺就不對了

　——訪《左撇子女孩》導演鄒時擎／紅眼

・《左撇子女孩》：母親在場又缺席，我們都是愛面子的人／紫翹

・你無法擁有芭鐸／張書瑋

・Sydney Sweeney的美國電影演員夢／黃嘉瀛

・《電競女孩》：關於努力不被看見這件事，她們想說的是⋯⋯／紅眼、Mayling

・異鄉人與城市幽靈，兩種漂泊的漫遊者／王瀚樑、梁恩翹

【土尋香】

・維港唱片，純粹搵錢

　——本地獨立音樂雜記／Ling Ling Ling

【專欄】

・與M無關的故事／謝曉虹

・石頭記／李維怡

【解像】

・在人類世說人熊災／陳嘉銘

・萬物的同類相食

　——讀河崎秋子直木賞作品《ともぐい》／黃靜美智子

【起格】

・sum心／馮曉彤

・大象／田鵲喜

・樟腦丸中毒／月儀

・諧音練習／潘國亨

・把二十一世紀的頭腦放進烤箱／王崢

刊物簡介

　　《字花》是香港一本雙月刊文學雜誌，於 2006 年 4 月創刊，由水煮魚文化製作有限公司出版，用文 學視角直接介入社會文化議題。專題以外，每期均有文字、視藝和跨媒體創作，以及文學、影視和 文化評論，以「立足本地，放眼世界」為旨，力圖打破香港文學雜誌的固有形式，以展示文學年 輕、活潑和多元化的一面。

網頁：http://zihua.org.hk/ Facebook
專頁：字花 | https://www.facebook.com/fleursdeslettres/
水煮魚文化 | https://www.facebook.com/spicyfish001/

　　畢業後第一次參加同學會的權帝宇，
　　遇見了曾經的摯友戀思淵，對方卻冷淡表示不記得他，
　　尷尬的帝宇在聚會上喝到爛醉，
　　結果一覺醒來，竟發現兩人全裸躺在同一張床上？！
　　本以為彼此的交集只停留在那一夜，
　　思淵卻突然向他告白，並提出交往試用期，
　　驟然轉變的態度，也讓帝宇感到十分困惑。
　　在相處過程中，他逐漸被思淵的甜蜜攻勢吸引、淪陷。
　　直到高中同學的一番話，讓這個美夢出現裂痕──
　　明明身為同學會主辦人，思淵為何要裝作不認識他？
　　對方的真正目的，到底是什麼？

本書特色

　　※2021年韓國BOMTOON AWARDS短篇賞
　　※Ma jeung ji老師輕鬆純愛之作，全糖甜蜜來襲～～
　　※煩惱諮詢

　　Q. 與初戀久別重逢後，過去的空白該如何填補？
　　A. 當然是把累積多年的愛意，滿滿地、用力地全部灌進去～～

　　※男朋友太黏人了怎麼辦？可是他那麼可愛……只好辛苦一下我的腰了

　　2021年韓國BOMTOON AWARDS短篇賞
　　心機愛哭戀愛腦攻╳單純老實逆來順受
　　你以為的命中注定，都是我的處心積慮——
　　這一次，絕不會再讓你逃跑！

作者簡介

Ma jeung ji

譯者簡介

Bomtoon Taiwan、吳芷容

　　※跨種族職場奇幻戀愛獻上最甜外傳！李理事為何對金代理情有獨鍾？在發錯訊息之前，他們曾擦出過什麼甜甜的小火花呢？所有秘密的解答，都在這本！
　　※貓耳跨坐誘惑？性感男僕的討拍求賞？所有深藏在李理事腦袋裡的無聖光激情妄想，外傳不藏私全公開！
　　※臺版獨家收錄──MORAK老師寫給臺灣讀者的出版後記，感謝各位讀者的支持！
　　※外傳推出豪華特裝版，超豐富的精美周邊，種類繁多不容錯過～～小朋友才做選擇，粉絲我全都要！

　　高人氣韓漫外傳火速降臨
　　無聖光妄想大爆發

　　霸道上司偏執深情攻╳半吸血鬼下屬天然誘受
　　一場魂牽夢縈、火辣糾纏的命中注定，就從此刻開始！

　　接手公司理事職務的康禹，
　　一天意外撞見在頂樓休息的金道允代理，
　　明明只是寥寥幾句話的關心、匆匆的會面，
　　沒想到回家後的康禹竟然春夢連連──
　　只見道允化身性感小野貓、純慾誘惑俏男僕，
　　輪番上陣、火熱刺激的美夢令人簡直就要瘋了。

　　隨著每晚夢境的進展，
　　生活中兩人也產生越來越多交集，
　　不知道是不是受到夢的影響，
　　康禹發現自己越來越在意道允的一舉一動，
　　就在他打算釐清自己的心意時，
　　卻看到金道允正和一個陌生男人走在一起？！

　　一封簡訊，牽起的不只是秘密關係，還有早已萌生的愛意──

作者簡介

MORAK

　　大家好，我是韓國漫畫家MORAK。我想畫一個即使不完美但沒有任何遺憾的故事。希望你們在翻閱每一頁漫畫的時候都可以看得很開心。

譯者簡介

楊蕙瑜

　　政大韓文系畢業。幾乎都在翻譯漫畫的兼職譯者。
　　翻譯委託：x5563928@gmail.com

She came home for the truth. What she found was the woman who took everything… and wanted her most of all.

Six years ago, Ran Jin rose to power and prominence under the wing of her lover—only to be accused of orchestrating that woman’s mysterious death. Now, her late lover’s sister, Chi Yu, returns from abroad to reclaim what was stolen and uncover the truth.

But Ran isn’t the cold-blooded traitor she seems. She’s brilliant, enigmatic, and as devoted to Chi as can be.

What starts as a personal pursuit of justice spirals into obsession, as Chi unearths traces of a truth stranger than fiction—one that challenges not only the story she’s been told but even humanity itself. The deeper she digs, the more she risks for a love that feels inevitable, even if it was never meant to exist.

The Creator’s Grace is a gripping sci-fi romance about fractured identities and impossible salvation, where love may be the only truth that holds.

In a court of secrets, loyalty is currency—and love is the most dangerous gamble of all.

In the sprawling realm of Great Yu, power has only recently been placed in the hands of women. Generals lead armies, ministers shape dynasties, and alliances are forged as easily in the bedchamber as on the battlefield.

General Zhen Wenjun and Chief Minister Wei Tingxu appear to be the perfect couple—two brilliant women bound by marriage and ambition. But beneath the surface of silk and ceremony lies a deadly game of masks and motives. Trust is a weapon. Affection is a risk. And neither woman is exactly who she claims to be.

As rival factions stir unrest and the imperial court teeters on the edge of transformation, Zhen and Wei must navigate the shifting sands of betrayal, duty, and desire. In a world where power is never given—only taken—can love survive when everything else is strategy?

At the World’s Mercy is a masterful work of baihe historical fiction, weaving espionage, slow-burn romance, and political ambition into a tale as elegant as it is ruthless.