新加坡出版

Disability is all around us—among people we meet, the media, sports, our own family and friends. Undeniably, all of us have or will one day come to experience or encounter disability. But how can we reckon with the realities of those who live with disability, or its reality in our own lives? In a city-state slowly moving towards inclusion, how do those meant to be 'included' feel about such efforts? Not Without Us: perspectives on disability and inclusion in Singapore is a groundbreaking collection of essays that takes a creative and critical disability studies approach to centre disability, and rethink the ways in which we research, analyse, think and know about disability in our lives. Across multiple domains and perspectives, the writings in this volume consider what it means to live with disability in a purportedly inclusive and accessible Singapore.

(Book cover description: The central visual of the cover is a photo. This photo, taken by photographer Isabelle Lim, is of two performers in the centre of a spacious room, where the wall and floor are both decorated with brown and gold patterns. The foreground is lit by a bright yet warm light, which illuminates the side profiles of the two men against the blackness behind them. Closer to the camera is the rapper Wheelsmith. Clad in a mustard  yellow cap and blue denim jacket, he is riding his wheelchair toward the left of the picture. At a slight distance behind him, and in the midst of walking in the opposite direction, is fellow rapper ShiGGa Shay, sporting an orange, white, and blue puffer jacket and a bun of electric blue hair."

On the book cover, this photo is accompanied by the Book title "Not Without Us" in all-capitals, beige text against the black background on the top of the photo. The subtitle in small caps "perspectives on disability and inclusion in Singapore" is printed in the center-right of the book cover. In the black background of the photo are light blue lines in the shape of Wheelsmith's and Shigga Shay's silhouettes, layered and expanding towards the top of the book cover to amplify their poses in the photo. The editors' byline is at the bottom of the book cover in black text.)

“This is a pathbreaking book. Not Without Us weaves together a rich fabric of voices exploring the politics and poetics of disability in Singapore. Moving between lived reality, representation and struggles for social transformation, the collection excavates hidden or forgotten pasts, documents struggles and community formation in the present, and hints at possible futures. The essay collection challenges contemporary discourses of and scholarship on disability in Singapore by centring disabled subjectivities. In the process, it opens up new spaces of empathy, praxis and critique.” —Philip Holden, Independent Scholar and Counsellor 

"It warms my heart to see another book on disability through the Asian lens. Not just any book or author, but a plethora of contributors who are leaders in the Singaporean disability scene. The tapestry of all the essays inspires the imagination to how we can truly create a place that all of us can call home. Inclusion isn’t just keeping the token seat available, or inviting someone disabled to the party, but truly paving the way forward for all of us to celebrate each other as individuals in all our different shapes, sizes and colours. Thank you Not Without Us for so eloquently celebrating ‘Nothing about us, without us’!" —Cassandra Chiu, Psychotherapist; Social Advocate and Author of A Place For Us

"Not Without Us is a richly edited and profoundly written collection of essays about disability in Singapore. It is part of a new and fresh movement to provide local knowledges and global perspectives to a field that has been for too long grounded in the West, particularly the US and the UK. The book will be extremely valuable not only to readers in Singapore but also to those throughout the world who seek a broader perspective on significant issues in disability studies, arts, policy and activism." —Lennard J. Davis, Distinguished Professor, College of Liberal Arts and Sciences, University of Illinois in Chicago

A glittering, bold, darkly funny novel about two sisters—one in New York, one in Singapore—who are bound by an ancient secret.

Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim and using her charms to make ends meet. But they share a secret: once, they were snakes, basking under a full moon in Tang dynasty China.

A thousand years later, their mysterious history is the only thing still binding them together. When Emerald experiences a violent encounter in Central Park and Su boards the next flight to New York, the two reach a tenuous reconciliation for the first time in decades. Su convinces Emerald to move to Singapore so she can keep an eye on her—but she soon begins to worry that Emerald’s irrepressible behaviour will out them both, in a sparkling, affluent city where everything runs like clockwork and any deviation from the norm is automatically suspect.

Razor-sharp, hilarious, and raw in emotion, Sister Snake, a reimagining of The Legend of the White Snake, is a novel about being seen for who you are—and, ultimately, how to live free.

“Amanda Lee Koe’s tale of serpentine sisterhood will wend its way into your heart. Drawing equally from folklore and current events, this fearless novel entertains and delights. Beneath its beguiling surface, Sister Snake explores fundamental questions: Are our destinies determined by our bodies? What forms can family take? And what, in the end, does it mean to be human?”
—Rajesh Parameswaran, author of I Am An Executioner

 “I have had nothing bad happen to me except my own doing. I have let this cowardice envelop me, and I can’t shake it off. I will commit the worst thing you can ever do to someone who loves you: killing yourself. The scary thing is, I’m okay with that.” —Victoria McLeod, Singapore, March 30, 2014

Loss Adjustment is a mother’s recount of her 17-year-old daughter’s suicide.

In the wake of Victoria McLeod’s passing, she left behind a remarkable journal in her laptop of the final four months of her life. Linda Collins, her mother, has woven these into her memoir, which is at once cohesive, yet fragmented, reflecting a survivor's state of mind after devastating loss.

Loss Adjustment involves the endless whys, the journey of Linda Collins and her husband in honouring Victoria, and the impossible question of what drove their daughter to this irretrievable act. A stunningly intimate portrait of loss and grief, Loss Adjustment is a breaking of silence—a book whose face society cannot turn away from.

　　2013年，於曉丹帶著年幼的女兒離開中國，遠渡重洋來到了陌生的國度，新加坡。這一年，她剛從職場退居，正式成為了眾多陪讀媽媽大軍中的一員。

　　每年八月，新加坡一年一度的重量級PSLE考試季陸續開始。看著一批又一批還稍顯稚嫩的孩童走出考場，你是否想過在備考時只有學習的枯燥日子中，他們走的每一步都是為了成為更好的自己？本書就是這樣一本以日記的形式，揭開媽媽與孩子從考試的一年前就「共同」備戰和經歷會考的書。

　　本書分為七輯：PSLE備戰、生活、興趣班、DSA、經典誦讀、電腦網絡和手機、情緒。文中記錄和描寫著媽媽和女兒親密陪伴的成長經歷，但也映射出千千萬萬對有著相似經歷的母女和家庭。在相同的社會時代背景下，孕育著許多看似不同卻又相似的家庭，而作為社會和家庭中梁砥柱的中年父母們，無法規避任何社會的浪潮，更無法迴避孩子的自然成長，父母和孩子只能勇往直前。然而，只要我們願意，就可以改變前路上的一點點。

　　作者記錄了快兩年的日記中，都是和女兒在小六生活、學習中經歷的點點滴滴，有奮鬥，有焦慮，有矛盾，有吵鬧，有親情，也有友情，有天下父母對子女共通的愛和關懷，這些都如實地譜寫成一段深刻難忘的成長歲月。

作者簡介

　　於曉丹，2002年畢業於大連工業大學化學工程專業，2013年來到新加坡工作、學習和生活。自2009年開始關注並熱愛兒童教育和家庭教育，堅信每個孩子都是好孩子，每個父母都可以成為更好的父母。熱愛中國書法，是2021年新加坡書法協會第35屆「陳景昭書法獎」獲獎者， 「王才貴讀經教育」的踐行者和推廣者。

In This Together: Singapore’s Covid-19 Story is a dramatic insider account of the first two years of the pandemic.

It is a story of suffering and resilience, of miscalculation and foresight, and of grumbling yet cooperation.

The book is written by journalists of The Straits Times who have been in the thick of covering the ongoing crisis.

More than 300 people were interviewed, including the President of Singapore, the Prime Minister, business owners and survivors of the disease.

Through their recollections, the book chronicles how the country came together to fight the virus, even as everyone has had to stay resolutely apart while doing so.

The word CABINET is originally French and in the 16th century meant “a small private room”.  It was also a rather special room because it often contained a collection of things from places so far away it would take months to get there and back. The things inside could be plants, animals, minerals or manufactures and were called CURIOS.   

These personal “Cabinets of Curiosity” are actually the basis of today’s museums. And any Natural History Museum you go to, including our own in Singapore, will have some CURIOS from one of these old cabinets.  They not only entertain but also teach us about our wondrous world and all that is in it.  In this notebook, we hope you continue this tradition of being curious, and of collecting what you’ve found, but so as not to disturb the earth, to only put them in your notebook and in the Cabinets of Your Mind.

Specifications: Comes in Single Notebooks

48pp, A6 Size, 100GSM Ivory Coloured Blank Pages, Fountain Pen and Watercolour brush friendly, 300GSM Cover