新加坡出版

　　《飛虎情緣：何永道回憶錄》是一本史詩級的二戰故事,也是一本記錄親情、友情、愛情、同儕生死情誼的巨著。一名來自南洋的男孩,在二戰東方主戰場——中國——參與抗日的任務。爾後，他先後在上海、馬來亞、新加坡從事民航飛行的工作，至1980年，以新航B-737客機的隊長的身份告別翱翔萬裡的飛行生涯。這位百歲飛虎老將的真實經歷,宛如電影般的情節跌宕起伏，扣人心弦。儘管二戰硝煙已遠，今日讀來仍能叫人反思和平的代價。

　　新加坡前藝人、電影《戰狼2》執行導演沈傾掞,和他的妻子以及四隻貓,一家六口在烏克蘭​​首都基輔過著小日子,卻突然陷入一場世紀大戰,在砲火中掙扎求存,一路西逃。他在書中敘述了他日復一日地躲空襲、在路上遭遇砲彈衝擊波、 駕跑車和砲彈賽跑、驚險斷油,以及患上創傷後應激障礙（PTSD）。驚險三週,除了戰情友情甘榜情,還有深刻的反思。

作者簡介

　　土生土長的新加坡人，喜歡極限運動。完成國民服役後加入了當時的新加坡報業控股集團，當一名攝影記者。1995年在才華洋溢新秀比賽勝出後，成了影視藝人。2020年冠病疫情爆發之前一直在中國大陸從事電影幕後工作，包括劇本創作、專案開發和影視拍攝。俄烏戰爭爆發時，和妻子身在烏克蘭，臨危受命充當了新加坡的戰地記者，為關心俄烏局勢的新加坡人現場報道最新戰情。

　　《給自己和孤獨的星球》是語凡第9本詩集，曾用《淺談給自己和孤獨的星球》之名入圍台灣週夢蝶詩獎並與第三名得獎者同分。詩集寫給這顆受傷累累的藍色星球和住在上面一個個孤獨的人和靈魂，有很多詩篇以極短的篇幅來探索人生，有時也僅僅是詩人的一點問句和感悟。

作者簡介

　　語凡，原名曾國平，新加坡文藝協會副會長，《新加坡文藝報》主編，曾經出版詩集《逝去的羽光》、《草地裡的男生》、《旅行的困境》、《我們不知道的歸類》、《你的名字是甜》、《黑色城市》、《查無此人》、《厚·重》、《給自己和孤獨的星球》，散文詩集《語凡散文詩選》，散文集《致陌生人》。曾經獲得新加坡文學獎、方修文學獎、台灣詩學創作獎散文詩佳作獎、台灣現代詩五週年詩獎正獎、第一屆台灣人間魚金像獎與時報文學獎新詩獎。詩文發表在新加坡，台灣，香港，印尼，中國等。

　　詩集分〈厚〉與〈重〉。〈厚〉收錄靜物（對物的書寫），閒情（情為何物），詩人（與詩人對話），地景（地景詩寫），島國（書寫新加坡），茶詩（以茶入詩）。〈重〉收錄了時間的故事（書寫時光），戀人與初戀（戀愛之惦記），人的自畫像（詩人的自述），活物質活物（眾生相），近處與遠方（旅行至遠方）。想一本詩集收錄如此多主題，真是不自量力，但也希望讀者看在如此努力用心的份上，拍掌鼓勵一二。

作者簡介

　　語凡，原名曾國平，新加坡文藝協會副會長，《新加坡文藝報》主編，曾經出版詩集《逝去的羽光》、《草地裡的男生》、《旅行的困境》、《我們不知道的歸類》、《你的名字是甜》、《黑色城市》、《查無此人》，散文詩集《語凡散文詩選》，曾經獲得新加坡文學獎，方修文學獎，台灣詩學創作獎散文詩佳作獎，台灣現代詩五週年詩獎正獎，第一屆台灣人間魚金像獎。詩文發表在新加坡，台灣，香港，印尼，中國等。

“We obsess about who they look like - the papa, the mama, a cousin, one or other of grandparents.

Mostly, they look like each other. Or like bugs. Or burritos.”

What does it truly mean to be a grandparent — to care for and nurture young life as you look back on your own, and experience the world afresh through their eyes?

The Art of Being a Grandmother: An Incomplete Diary of Becoming is an honest and heartfelt exploration of self — as a mother, grandmother, visual artist and writer. Following her acclaimed autobiographical play, Still Life (2019) with Checkpoint Theatre, Dana Lam invites you into her world as she chronicles the process of becoming a grandparent through her art and writings. The careful interweaving of candid, meditative journal entries with stunning watercolour and ink renderings of scenes of her daily life deftly captures the unique pleasures and challenges of grandparenthood. Poignant, tender, and funny all at once, this volume will delight readers of all ages with its warmth and wonder.

“Being a mother is, arguably, a choice for some.

Being a grandmother is a decision made for you by someone else.”

A 200-page visual journal by Dana Lam; edited by Huzir Sulaiman, with curation, design and layout by Marc Gabriel Loh.

Author's Bio 

Dana Lam is a visual artist and writer, and an Associate Artist with Checkpoint Theatre. In 2019, she performed her play Still Life, which she developed with Huzir Sulaiman and Claire Wong of Checkpoint Theatre over three years. It included a year of exploration and painting in her studio.

She most recently wrote and performed the erotic monologue Why Not Sex in Not Grey: Intimacy, Ageing and Being as part of the Festival of Women: N.O.W. 2021, directed by Noorlinah Mohamed for T:>Works.

Dana has performed in Jerome Bel’s Gala (TheatreWorks, 2016), Joavien Ng’s Incarnation of the Beast (TheatreWorks, 2015) and Dream Country – A Lost Monologue (Singapore Arts Festival, 2012). Her writing credits include the book Days of Being Wild: GE2006 Walking the Line with the Opposition (Ethos Books, 2006). Her visual art has been shown in the Singapore Art Museum and the Substation Gallery. Her 500-piece installation work When Bellies Speak: You Are Your Own Work of Art was held at Hong Lim Park on 8 March 2015.

Outside of performance, Dana has worked as a newspaper reporter and volunteered with AWARE (Association of Women for Action and Research), serving as its President from 2000-2002 and again, from 2009-2011.

“The land is furrowed deep with worry. The angsana trees are turning orange with pain.” This collection emerges, squeaking and poorly oiled, from this rubbish heap we’ve all piled up. It revels in the transfixing beauty of this last age of man. These poems have dwelt too close to the nuclear waste facility. These poems have traversed through fields of madness for grains for truth. These poems attempt to wring the last dregs out of language. Anything but Human grasps for a poetry beyond our collective exhaustion.

About the Author

Daryl Lim Wei Jie is a poet, writer and literary critic from Singapore. His first book of poetry is A Book of Changes (2016). He is the co-editor of Food Republic: A Singapore Literary Banquet (2020), the first definitive anthology of literary food writing from Singapore. He was quoted in international media for his tabulation of similar texts in the plagiarism of the cookbook by Sharon Wee by Elizabeth Haigh. His poems won him the Golden Point Award in English Poetry in 2015, awarded by the National Arts Council, Singapore.

Change is what happens to everything: history is humanity's attempt to make sense of this inevitability. In his debut collection of poetry, Daryl Lim Wei Jie paints minute strokes that give way to panoramas, strewn with unusual asides: migrants crossing oceans; an ancient king reclaiming a throne; rivers clogged with corpses; the paperwork for an invasion; a milo dinosaur the height of Mount Everest. A Book of Changes is a young poet's attempt to make sense of the impossible ebb and flow of time.

In 2003, a young woman leaves home without telling her family that she is not coming back. She spends the next six years moving from house to house and living hand-to- mouth; at first with her lover, and then alone.

And The Walls Come Crumbling Down parallels three events in the author’s life: the physical deterioration of the house in which she lives, the emotional disintegration of a couple once in love, and the unearthing of childhood ghosts that can’t seem to be cast off. Part memoir and part poetic rumination, it is an ode to love, loss and the people and places we call home.

A Luxury: Omnibus Edition is simultaneously a time capsule and a time-machine. The first volume, A Luxury We Cannot Afford, bottled the lightning of poetry, prose and plays in 2015. The second, A Luxury We Must Afford, took a leap forward into the unknown future of Singapore. You will find something to please and pique every reader in this anthology.