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- 繁体
- 繁體
- 繪本
- 繪畫
- 罅隙
- 罗伦斯
- 罗塞塔文化
- 羅倫斯
- 羅塞塔文化
- 翻譯
- 翻譯文學
- 老妈教会我的事
- 老媽教會我的事
- 联合早报
- 聯合早報
- 肉與肉的相遇
- 背包走天涯
- 至死之愛
- 至死之愛上
- 至死之愛(上)
- 致美好的灰色
- 致陌生人
- 舞雩詠歸
- 舞雩詠歸 001
- 艾禺
- 苏秉苓
- 英培安
- 英文
- 英文書
- 英語
- 范俊奇
- 草根
- 草根書室
- 華文
- 華文創作
- 華文報歷史
- 華文教育
- 華文現代詩
- 萬卷樓
- 萬有醫始
- 董啟章
- 蔡欣洵
- 蔡深江
- 薔薇邊緣
- 藝術
- 藝術雜誌
- 蘇偉貞
- 蘇秉苓
- 蘇穎欣
- 蘇章愷
- 虚构
- 虛構
- 蛋黄人生
- 蟹蟹你
- 要有光
- 觀感獅城
- 言情小說
- 記號
- 訪談
- 許振義
- 許源泰
- 許維賢
- 許通元
- 評論集
- 詩
- 詩托邦
- 詩精
- 詩集
- 語凡
- 請溫柔以對
- 論文
- 譚光雪
- 访谈
- 诗托邦
- 象形
- 貓
- 貪吃犀鳥愛飯粿
- 買咯冰
- 賀爾
- 赤道風
- 趴趴走
- 輕小說
- 迷圖
- 遇見穿牆的女孩
- 遊記
- 邁克
- 郭书真
- 郭令明
- 郭慕義
- 郭書真
- 郭詩玲
- 都市求生記
- 都市求生记
- 都市錄
- 鄭景祥
- 鄭林林
- 鄺偉雄
- 酷儿小说
- 酷兒小說
- 野峰
- 錯視與幻聽
- 鍾秀玲
- 鐘怡雯
- 長篇小說
- 长篇小说
- 防水貼紙
- 阿果
- 陈干煌
- 陳劍
- 陳可揚
- 陳宇昕
- 陳幹煌
- 陳文慧
- 陳昌榮
- 陳麗儀
- 雅意
- 雅意:新加坡華文報藏書畫擷珍
- 雙語
- 雜誌
- 雨後有彩虹
- 雨花雲蕊舊月落
- 雲大篪
- 雷思傑
- 霓虹燈下的㗝呸店
- 非書類
- 非虚构
- 韓麗珠
- 順順利利
- 頑皮動物遊獅城
- 風呂敷(furoshiki)
- 風和日麗天重逢
- 飛虎情緣
- 飞虎情缘
- 飞虎情缘: 何永道回忆录
- 食品
- 食品食譜
- 食譜
- 飯飯之輩
- 飲品
- 飲食文化
- 飲食文學
- 香港
- 馬來文
- 馬來素描
- 馬來西亞
- 馮啟明
- 駿之
- 马来西亚
- 高譚
- 麵包特工隊
- 黃向京
- 黃子明
- 黃意會
- 黃文傑
- 黃旭暉
- 黃明德
- 黃益民
- 黄文杰
- 黑色城市
- 點智慧
- 點智慧11
- 點智慧12
- 點智慧·漫畫

BELOW: ABSENCE
Regular price $16.00BELOW: ABSENCE
by Cyril Wong
published by Math Paper Press
*
In his third collection of poems, Cyril Wong wrestles with absences behind the everyday hope of recovering new justifications for a more meaningful existence. His poems move from explorations of love to articulating the demands of loss and memory that drive the desire to poetry.

'OTHERS' IS NOT A RACE (3RD PRINTING)
Regular price $19.00'OTHERS' IS NOT A RACE (3RD PRINTING)
by Melissa De Silva
published by Math Paper Press
*
What is a Eurasian? Are Eurasians Singaporean? What does it mean to be a Eurasian living in Singapore?
While having existed in Singapore as long as any other community, Eurasians, who comprise less than one percent of the population, still remain a fairly obscure group to many Singaporeans.
'OTHERS' IS NOT A RACE is a tapestry that weaves together the multiple genres of narrative fiction, creative nonfiction, literary food writing and family memoir, to offer insight into the micro-minority Eurasian community through the intensely personal lens of the writer's own experience living and growing up as a Eurasian in Singapore. Throughout are interwoven the themes of memory, loss, language, identity and cultural reclamation.
Similarly, it is a reflective and provocative journey of self-discovery; a journey the reader may also take to explore what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community

The Missing Anthology: Stories from Singapore's Sex Workers
Regular price $28.00About the Book
Sex workers in Singapore — and most places around the world — tend to be dehumanised, glamourised or sensationalised by the public and media alike. Rarely do mainstream narratives centre sex workers’ voices and agency. The Missing Anthology presents fifteen bold new voices from sex workers, whose writings resist society’s simplistic assumptions about sex work. In these works, authors recount their lived experiences, share their struggles and triumphs, and imagine different futures for the sex industry.
Born from an open call and writing workshops organised by Project X — the only non-profit organisation in Singapore that provides social, emotional, and health services to people in the sex industry — these pieces daringly experiment with form, genre, and perspective. In these pages, you’ll find two “chickens” discussing their dreams while blowing up a condom; pieces on the dynamics of domme-ing and servicing second-hand hearts; essays on the importance of activism and its obstacles; short fiction exploring fantasies of violent liberation; tender letters to loved ones and younger selves that reflect on their journeys and how far they’ve come.
The Missing Anthology re-centres sex workers’ voices from the margins, bringing them into the conversation about an industry often treated as illicit and taboo. By doing so, it aims to address issues of inequality, social and economic mobility, stigmatization, and safety that are fuelled by misconceptions about sex workers and their profession.
Advance Praise
"I’ve been a sex worker since 2011, and even I found my eyes opened reading this collection. The stories, vignettes, and poems within feel like whispers of secrets, fragments of dreams, or the kind of raw, unfiltered honesty you only get from a deep chat with an old friend. Through the voices of Singapore’s sex workers, this remarkable anthology reveals the incredible diversity of joy, rage, hope, and humanity that exists in our lives.
Too often, others try to tell our stories for us — flattening them into stereotypes or sensationalised clichés. But this collection refuses to let those distant assumptions speak. These are our stories, told in our voices, with all the complexity and richness of lived experience. Reading it was deeply moving, at times heartbreaking, and profoundly real.
It is a rare privilege to see the world through these eyes — to be reminded of the shared, challenging, and beautiful gift of life in all its forms. I am honoured to recommend this work. It is vital, human, and, above all, true."
EVA OH, also known as 'Mistress Eva' — award winning International Dominatrix
"An inter-generational, inter-genre, and inter-spatial exploration of the lives of sex workers and their labour conditions in Singapore. Exciting, intimate, endearing, vengeful, repressed, and cathartic all at once, The Missing Anthology reflects the sweeping diversity of sex workers' experiences, motivations, and lives. From the streets of 80s red light districts in Singapore, the online chat rooms of the aughts, and the transgressive imagination of the empowered millennial, the anthology is a landmark publication that stabs a stiletto heel against the singular story and image of a deliberately misunderstood labour class. The stories of sex workers strain against a society’s ability or inability to accept its own desires and the people who work to fulfil them. This book is as necessary a reading as any about the nation, for behind these stories, the country finds an unwritten one of its own."
DIANA RAHIM — visual artist, writer, community worker and editor of Beyond The Hijab
About the Editors
Vanessa Ho (she/they) joined Project X in 2011 and became its executive director in 2019. Her tenure at Project X has provided her many valuable opportunities to meet and connect with sex workers in Singapore and around the world. She has also written and spoken extensively about sex work, human trafficking, rape culture, and LGBTQ rights in Singapore. Vanessa holds the view that if people can speak about sex, gender, and sexuality in open and in non-judgmental ways, society will become a safer place for everyone.
Raksha Mahtani (they/them) is a researcher-writer-facilitator and vice-president on the board of Project X. Notable contributions include working on the organisation's membership model, the voluntary industry exit programme, and report writing. Their master’s thesis research examines labour market hierarchies in Singapore’s sex industry, with research interests that nestle at the intersections of social inequality, friendship, migration, feminism, and multiracialism. Raksha has been published in rivulet 10 and Exhale, and has also performed spoken word as part of Sekaliwags and Mass Hysteria.
nor (they/them) is the Programmes Manager at Project X. Their favourite part of working at Project X is being able to experience the generosity shown by sex workers in telling their stories. Outside of Project X, nor is a multidisciplinary artist, poet and 1/6th of the Studio Ong collective.
The Art of Being a Grandmother: An Incomplete Diary of Becoming◎Dana Lam
Regular price $45.00“We obsess about who they look like - the papa, the mama, a cousin, one or other of grandparents.
Mostly, they look like each other. Or like bugs. Or burritos.”
What does it truly mean to be a grandparent — to care for and nurture young life as you look back on your own, and experience the world afresh through their eyes?
The Art of Being a Grandmother: An Incomplete Diary of Becoming is an honest and heartfelt exploration of self — as a mother, grandmother, visual artist and writer. Following her acclaimed autobiographical play, Still Life (2019) with Checkpoint Theatre, Dana Lam invites you into her world as she chronicles the process of becoming a grandparent through her art and writings. The careful interweaving of candid, meditative journal entries with stunning watercolour and ink renderings of scenes of her daily life deftly captures the unique pleasures and challenges of grandparenthood. Poignant, tender, and funny all at once, this volume will delight readers of all ages with its warmth and wonder.
“Being a mother is, arguably, a choice for some.
Being a grandmother is a decision made for you by someone else.”
A 200-page visual journal by Dana Lam; edited by Huzir Sulaiman, with curation, design and layout by Marc Gabriel Loh.
Author's Bio
Dana Lam is a visual artist and writer, and an Associate Artist with Checkpoint Theatre. In 2019, she performed her play Still Life, which she developed with Huzir Sulaiman and Claire Wong of Checkpoint Theatre over three years. It included a year of exploration and painting in her studio.
She most recently wrote and performed the erotic monologue Why Not Sex in Not Grey: Intimacy, Ageing and Being as part of the Festival of Women: N.O.W. 2021, directed by Noorlinah Mohamed for T:>Works.
Dana has performed in Jerome Bel’s Gala (TheatreWorks, 2016), Joavien Ng’s Incarnation of the Beast (TheatreWorks, 2015) and Dream Country – A Lost Monologue (Singapore Arts Festival, 2012). Her writing credits include the book Days of Being Wild: GE2006 Walking the Line with the Opposition (Ethos Books, 2006). Her visual art has been shown in the Singapore Art Museum and the Substation Gallery. Her 500-piece installation work When Bellies Speak: You Are Your Own Work of Art was held at Hong Lim Park on 8 March 2015.
Outside of performance, Dana has worked as a newspaper reporter and volunteered with AWARE (Association of Women for Action and Research), serving as its President from 2000-2002 and again, from 2009-2011.

After You
Regular price $25.00In a lasting marriage, one could still outlive the other. A poet gazes upon his older partner, pondering the inevitable. Panic, heartache, and a surprising sense of acceptance, interwoven with instances of joyful resilience, punctuate the ordinariness of their everyday lives and occupy these poems about same-sex love, death, and the fragile art of testimony.

UNMARKED TREASURE
Regular price $16.00UNMARKED TREASURE
by Cyril Wong
published by Math Paper Press
*
A ghost steps out of its body after a suicide and looks back at it in wonder. The poet wonders at his own existence and struggles between actual living and a desire to depart. Recipient of the Singapore Literature Prize, this collection is Cyril Wong’s most personal sequence of poems, held together by memories about family life and intimate relationships, these moments charged with the pain of love, dreams and death and an unflinching exploration of the self.

THE MONSTERS BETWEEN US
Regular price $16.00THE MONSTERS BETWEEN US
poems by Jason Wee
published by Math Paper Press
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In his debut poetry collection, Jason Wee returns to ‘1987’, the installation work he first introduced to art audiences at the first Singapore Biennale in 2006.
The monsters Wee renders are present creatures, some cruelly alive, each shadowed by a long tail of mastery and mortality. With interlocking sequences, Wee shifts from Grimm’s stories to the small frail species among us, arriving at the volume’s central sequence, “Unreliable Evidence”. Composed from newsprint, detainee reports, speech transcripts and redacted accounts, this bravura sequence is suffused with the songs of childhood and the anger of unaccounted injustices. We watch and listen to a voice come of age in a time of great superhero comics and romcom movies, pop music and primary schools.
"Engaging and thought-provoking... Wee presents a fresh and ageless view of the bizarre and the mundane."
— Ovidia Yu

SIKIT-SIKIT LAMA-LAMA JADI BUKIT
Regular price $19.00SIKIT-SKIT LAMA-LAMA JADI BUKIT
by Annaliza Bakri
published by Math Paper Press
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When physical spaces make way for development, we risk historical amnesia. A place evokes a sense of belonging. It sustains our memory of who we are and where we are in the ebb and flow of humanity. Once lost, it can never be recovered. A person emptied of memory is one floating in an open sea without any anchor.
This anthology revisits lost places in Singapore. But not to reminisce or to evoke nostalgia. These poems express what these places mean to the poets and people who built this nation. They interweave social narratives with a strong desire to combat the loss of our memories, names, buildings, roads, trails, episodes, incidents, everything that is us and ours. They represent hope: of what was then, what we are, and what we can be.
Thought-provoking yet moving, these poems are the hidden gems of our literary tradition, unveiling a piece of our social tapestry with every turn of the page: a shared journey in which one rediscovers a lost fabric of our interwoven history.
This anthology features award-winning poets such as Cultural Medallion recipients — Mohamed Latiff Mohamed and Suratman Makasan, accomplished poet-painters like Abdul Ghani Hamid and Suraidi Sipan, our brilliant Sufi poet — Johar Buang, as well as young talents such as Zulfadli Rashid and Noorhaqmal Mohamed Noor. Our acclaimed female poets Hadijah Rahmat, Amanah Mustafi and Kamaria Buang, also illuminate this poetic journey. These voices have been nothing but enlightening and empowering as they bear witness to the challenges and concerns of the people in the midst of change and transformation.

Everyday Modernism: Architecture and Society in Singapore ◎Jiat-Hwee Chang and Justin Zhuang
Regular price $65.00Everyday Modernism is the first comprehensive documentation of Singapore’s modern built environment. Through a lens of social and architectural histories, the book uncovers the many untold stories of the Southeast Asian city-state’s modernization, from the rise of heroic skyscrapers, such as the Pearl Bank Apartments, to the spread of utilitarian typologies like the multi-storey car park. It investigates how modernism, through both form and function, radically transformed Singapore and made its inhabitants into modern citizens. The most intensive period of such change happened in the 1960s and 1970s under the rise of a developmental state seeking to safeguard its new-found independence. However, the book also looks both earlier and later, from between the 1930s to the 1980s, to cover a wider range of histories, building types and also architectural styles, expanding from the International Style and Brutalism and into Art Deco and even a touch of Postmodernism.
The book’s 33 essays are richly illustrated with some 200 archival images and drawings as well as more than 90 contemporary photos by architectural photographer Darren Soh. It covers the beginnings of Singapore's modern landscape, including its first condominium, columbarium, flatted factory, and pedestrian overhead bridge, amongst others. But the book is also interested in endings, investigating how modern buildings have changed over time, and been adapted for new uses or even threatened with redevelopment today. By examining the evolution of the once exceptional into the typical and by learning how abstract spaces become lived places, the book traces how modernism has become part of everyday life in Singapore.
- Donald McNeill, Professor of Urbanism, School of Architecture, Design and Planning, University of Sydney
- Miles Glendinning, Professor of Architectural Conservation, University of Edinburgh
- Hubert-Jan Henket, Founder and Honorary President of DOCOMOMO International
Jiat-Hwee Chang is associate professor at the Asia Research Institute and the Department of Architecture, National University of Singapore.
Justin Zhuang is a writer and researcher, and co-founder of Singapore-based writing studio In Plain Words.
Darren Soh is an award-winning photographer.
Shaolin and You◎Poon Yew Fai
Regular price $36.00Evocative and detailed, poetic and reflective, "Shaolin and You" takes a plunge into the pugilistic and epic world of Shaolin, bringing readers on a colourful journey to discover an ancient craft rooted in history and tradition. A tribute and celebration of Shaolin Kung Fu, "Shaolin and You" delves into its history, origins, little complexities and lessons through a delightful feast for the senses - where chapters are stuffed with snippets of art, photographs, poems, anecdotes and illustrations of all things Shaolin.
Author's Bio
Poon Yew Fai started practising pencil drawing as a serious hobby only after entering the workforce, despite having a love for it while growing up in Singapore. He also enjoys Hong Kong action, Kungfu and Wuxia films, especially those from the mid-1980s to 1990s - widely considered to be the golden age of Hong Kong action films. Yew Fai considers his blending of graphite drawing with digital effects an ongoing personal experiment, and is never quite sure how his next Kungfu artwork could turn out. Shaolin Musings is his first self-published collection of Kungfu artworks.

Anything but Human
Regular price $23.00“The land is furrowed deep with worry. The angsana trees are turning orange with pain.” This collection emerges, squeaking and poorly oiled, from this rubbish heap we’ve all piled up. It revels in the transfixing beauty of this last age of man. These poems have dwelt too close to the nuclear waste facility. These poems have traversed through fields of madness for grains for truth. These poems attempt to wring the last dregs out of language. Anything but Human grasps for a poetry beyond our collective exhaustion.
About the Author
Daryl Lim Wei Jie is a poet, writer and literary critic from Singapore. His first book of poetry is A Book of Changes (2016). He is the co-editor of Food Republic: A Singapore Literary Banquet (2020), the first definitive anthology of literary food writing from Singapore. He was quoted in international media for his tabulation of similar texts in the plagiarism of the cookbook by Sharon Wee by Elizabeth Haigh. His poems won him the Golden Point Award in English Poetry in 2015, awarded by the National Arts Council, Singapore.

Food Republic: A Singapore Literary Banquet
Regular price $32.00Food Republic is a generous serving of Singapore's food culture: from the making and eating of food, to the sale and hawking of it, our love and hate of it, and the effects of its consumption and deprivation.
Food has always been our safe space, our comfort zone: a place where we could freely engage in heated arguments about the best nasi lemak, the most fragrant cendol and whether the standard of the stall has dropped or not. Yet this anthology, featuring more than one hundred literary explorations of our food and food culture, also shows that when people write about food, they often aren't just talking about food but usually about something else, closer to the heart. Or the bone.
Curated from previously published work and selections from an open call, the poems, fiction and non-fiction in Food Republic range from the passionately realised to tantalisingly surreal. Think of it as a buffet, a banquet, an omakase, a smorgasbord, a nasi padang spread, a thali or a rijssttafel – we hope we've assembled one to your taste. Come. Eat.
Some Contributors: Arthur Yap, Leong Liew Geok, Edwin Thumboo, Toh Hsien Min, Wong Phui Nam, Shirley Geok-lin Lim, Koh Jee Leong, Lee Tzu Pheng, Joshua Ip, Margaret Leong, Alvin Pang, Catherine Lim, Ng Yi-Sheng, Amanda Lee Koe, Alfian Sa'at, Wong May, Gopal Baratham, Desmond Kon Zhicheng-Mingdé, Yong Shu Hoong, Aaron Maniam, Hamid Roslan, Daren Shiau, Boey Kim Cheng, Theophilus Kwek, Cyril Wong and Jennifer Anne Champion

A Book of Changes
Regular price $16.00Change is what happens to everything: history is humanity's attempt to make sense of this inevitability. In his debut collection of poetry, Daryl Lim Wei Jie paints minute strokes that give way to panoramas, strewn with unusual asides: migrants crossing oceans; an ancient king reclaiming a throne; rivers clogged with corpses; the paperwork for an invasion; a milo dinosaur the height of Mount Everest. A Book of Changes is a young poet's attempt to make sense of the impossible ebb and flow of time.

And The Walls Come Crumbling Down (Hardback)
Regular price $25.00In 2003, a young woman leaves home without telling her family that she is not coming back. She spends the next six years moving from house to house and living hand-to- mouth; at first with her lover, and then alone.
And The Walls Come Crumbling Down parallels three events in the author’s life: the physical deterioration of the house in which she lives, the emotional disintegration of a couple once in love, and the unearthing of childhood ghosts that can’t seem to be cast off. Part memoir and part poetic rumination, it is an ode to love, loss and the people and places we call home.

A Luxury: Omnibus Edition
Regular price $28.00A Luxury: Omnibus Edition is simultaneously a time capsule and a time-machine. The first volume, A Luxury We Cannot Afford, bottled the lightning of poetry, prose and plays in 2015. The second, A Luxury We Must Afford, took a leap forward into the unknown future of Singapore. You will find something to please and pique every reader in this anthology.

SATORI BLUES
Regular price $10.00SATORI BLUES
by Cyril Wong
published by Math Paper Press
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Cyril Wong’s longest and only Zen-inspired poem to date, Satori Blues is a response to writings by teachers of Buddhism and post-Buddhist philosophies. Composed as a stream of thought—at times epigrammatic, philosophical, fragmented, even exclamatory—the poem has been described by The Oxford Companion to Modern Poetry in English as ‘a sustained meditation that recalls turn-of-the- century Geoffrey Hill in its intricately patterned probing.’

ONEIROS
Regular price $16.00ONEIROS
by Cyril Wong
published by Math Paper Press
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Cyril Wong's eighth collection hurls the reader into a private dream world; these dreams explore the finitude of the self, recasting the poet's past and shaping the future or daring to mine its dangerous potential.

AFTERIMAGE
Regular price $16.00AFTERIMAGE
by Werner Kho
published by Math Paper Press
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Afterimage: an image that continues to appear even after the original has ceased. Werner Kho’s debut poetry collection is both personal and yet universal, an exploration of the process of loss and how they come back to us in every different angle.

ARIA AND TRUMPET FLOURISH
Regular price $16.00ARIA AND TRUMPET FLOURISH
by Rodrigo Dela Peña, Jr.
published by Math Paper Press
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In a world inundated by all kinds of texts that can be scanned almost as soon as they’re produced, and that as quickly shimmer away into oblivion, I am overjoyed to sit and read Rodrigo Dela Peña, Jr.’s much anticipated first full-length collection Aria and Trumpet Flourish.
Even while observing the necessary ceremonies that we must accord our living, the poet never forgets “time’s swift tumble,” the “tar-spackled road” or its “hairline cracks.” Unlike the ostentatious noise made by certain kinds of musical and other fanfare, the voice in these poems sings always out of a sense of urgency underwritten by love.
In this collection marked by masterful clarity and dexterous handling of forms (including ghazals, villanelles, abecedarians, and epistolaries), we glimpse monks walking the roads, crowds in the hellish circle of an MRT station at the end of the day, and the ghost of Jose Rizal in the Singapore Botanic Gardens. The poet recalls boyhood breakfasts fortified with bile and innards; and, for all his wandering, turns again and again to little towns and dusty barrios with homely names where a jukebox plays in a noodle shop called Tres Hermanas. He promises us: “This is my devotion: to account for the world’s bounty, its finite grace.// To exalt the flourishing it contains, to ache for what is taken away” (from “Compline”).
These are poems I will want to accompany me through the ordinary and other emergencies of everyday life; through the rest of the year, and beyond. In them, I might hope to learn more about the chrysalis’ secret—how, from its gold wreck of discarded laments, a dying self might help to birth a new one.
- Luisa A. Igloria, author of The Buddha Wonders if She is Having a Mid-Life Crisis (Phoenicia Publishing, Montreal, 2018); Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014); Juan Luna’s Revolver (University of Notre Dame Press, 2009), and other books