繪本／漫畫

"Hikaru's" unexpectedly violent encounter with the mysterious hamster-toting Tanaka only worsens his already weakened condition. Without knowing Tanaka's intentions, the boys must act quicky to uncover the mountain's secrets. Investigating the Indou family's "sin" will be difficult now that Hikaru's dad has passed, but they may be able to get some answers out of his closest friend - if Yoshiki's father is willing to talk...

While "Hikaru" is not the Hikaru he once knew, Yoshiki must admit that his entity has become a friend in his own right. But his true identity remains a mystery... even to the impostor himself! When their research into town's history brings them to the library, the boys discover an unsettling clue about the mysterious happenings in the region. Though, the question still stands of what "Hikaru" and the Nounuki-sama mentioned in Hikaru's note might be - and whether they aren't in fact one and the same...

IT'S EAT OR BE EATEN... LITERALLY!

When young adventurer Laios and his company are attacked and soundly thrashed by a dragon deep in a dungeon, the party loses all its money and provisions... and a member! They're eager to go back and save her, but there is just one problem: If they set out with no food or coin to speak of, they're sure to starve on the way! But Laios comes up with a brilliant idea: "Let's eat the monster!" Slimes, basilisks, and even dragons... none are safe from the appetites of these dungeon-crawling gourmands!

DELICIOUS IN DUNGEON (Dungeon Meshi) is a Japanese manga series written and illustrated by Ryoko Kui.

"Hikaru's" sudden disappearance from the mountain has not gone unnoticed... and his presence in town has begun to raise suspicious as well. Spirits from the other side grow restless, while the people sensitive to them begin taking steps to uncover the truth. As Yoshiki continues to struggle with the true identity of "Hikaru", he is reminded once again that his friend no longer shares his understanding of life and death - and that if you play with fire, someone is sure to get burned eventually...

Yoshiki tried to pretend nothing was wrong, but the truth cannot be ignored. Hikaru's gone. "Hikaru" is here. This new version is dangerous... or perhaps not? One thing's for sure - Yoshiki doesn't seem to be in harm's way. In fact, "Hikaru" seems to want nothing more than to befriend and protect him. Despite Rie's warnings, Yoshiki chooses to extend the hand of friendship, hoping it will help "Hikaru" become more human. But in doing so, what might Yoshiki become...?

It has Hikaru's face. It has Hikaru's voice. It even has Hikaru's memories. But whatever came down from the mountains six months ago isn't Yoshiki's best friend. Whatever it is, it's dangerous. Carrying on at school and hanging out as if nothing has changed - as if Hikaru isn't gone - would be crazy... but when it looks so very like Hikaru... and acts so very like Hikaru...

　　楢崎元親‧17歲、寺島夏生‧17歲。

　　在高中圖書室度過的無人打擾的秘密時光，悄悄拉近了兩人的距離。原以為「不可能合得來」的兩人，一步步走出了屬於自己的戀愛軌跡。從高中時代到進入大學，本篇中沒有交代的商業誌未發表故事＆加畫新作全都集結成一冊，粉絲絕不能錯過的「湛藍色的愛戀」番外篇！

内容简介

　　书内收录了15则触动心灵的小故事，以道家思想的博大智慧，配以精彩生动的漫画，带领我们认识中华传统美德。每一篇漫画前后，都有道博士带出引言及总结，启发读者认识当下，从小地方做起，领略人生的幸福。

　　相信这本书定能触动读者的心灵，增长智慧。

__________

ISBN：978-981-94-3901-0
出版社：北冥文化（新文潮出版社旗下出版品牌）
出版日期：2025年9月
建议分类：道家思想、宗教研究、心理励志
联系：contact@trendlitpublishing.com

“We obsess about who they look like - the papa, the mama, a cousin, one or other of grandparents.

Mostly, they look like each other. Or like bugs. Or burritos.”

What does it truly mean to be a grandparent — to care for and nurture young life as you look back on your own, and experience the world afresh through their eyes?

The Art of Being a Grandmother: An Incomplete Diary of Becoming is an honest and heartfelt exploration of self — as a mother, grandmother, visual artist and writer. Following her acclaimed autobiographical play, Still Life (2019) with Checkpoint Theatre, Dana Lam invites you into her world as she chronicles the process of becoming a grandparent through her art and writings. The careful interweaving of candid, meditative journal entries with stunning watercolour and ink renderings of scenes of her daily life deftly captures the unique pleasures and challenges of grandparenthood. Poignant, tender, and funny all at once, this volume will delight readers of all ages with its warmth and wonder.

“Being a mother is, arguably, a choice for some.

Being a grandmother is a decision made for you by someone else.”

A 200-page visual journal by Dana Lam; edited by Huzir Sulaiman, with curation, design and layout by Marc Gabriel Loh.

Author's Bio 

Dana Lam is a visual artist and writer, and an Associate Artist with Checkpoint Theatre. In 2019, she performed her play Still Life, which she developed with Huzir Sulaiman and Claire Wong of Checkpoint Theatre over three years. It included a year of exploration and painting in her studio.

She most recently wrote and performed the erotic monologue Why Not Sex in Not Grey: Intimacy, Ageing and Being as part of the Festival of Women: N.O.W. 2021, directed by Noorlinah Mohamed for T:>Works.

Dana has performed in Jerome Bel’s Gala (TheatreWorks, 2016), Joavien Ng’s Incarnation of the Beast (TheatreWorks, 2015) and Dream Country – A Lost Monologue (Singapore Arts Festival, 2012). Her writing credits include the book Days of Being Wild: GE2006 Walking the Line with the Opposition (Ethos Books, 2006). Her visual art has been shown in the Singapore Art Museum and the Substation Gallery. Her 500-piece installation work When Bellies Speak: You Are Your Own Work of Art was held at Hong Lim Park on 8 March 2015.

Outside of performance, Dana has worked as a newspaper reporter and volunteered with AWARE (Association of Women for Action and Research), serving as its President from 2000-2002 and again, from 2009-2011.