Ethos Books | 時代精神書屋

Longlisted for the 2013 Frank O'connor International Short Story Award

Malay Sketches is a collection of stories that borrows its name from a book of anecdotes by colonial governor Frank Swettenham, describing Malay life on the Peninsula. In Alfian Sa’at’s hands, these sketches are reimagined as flash fictions that record the lives of members of the Malay community in Singapore. With precise and incisive prose, Malay Sketches offers the reader profound insights into the realities of life as an ethnic minority.

Corridor is a collection of short stories all set in present-day Singapore. With unsentimental clarity and heartbreaking honesty, Alfian Sa’at writes about HDB dwellers – students, housewives and factory workers, whose lives begin to unravel once they discover that happiness is a fragile thing in a country obsessed with progress and success.

The characters in each story find themselves in situations that offer them a ticket to hope and change: A video camera transforms the way a resentful daughter sees her widowed mother. A married couple receives free holiday tickets just when their luck seems to have run out. A girl encounters a transvestite on an MRT train ride who tells her that she looks like a famous singer. And a man enters a discotheque after a bitter divorce and re-learns the terror of falling in love all over again.

Rich in authentic detail, with a sensitive ear for the vernacular, Corridor paints an elegiac, revealing portrait of contemporary Singaporeans who exist along the city’s corridors – haunted by lost loves, irrevocable childhoods and a deep longing to be free.

Corridor won the Singapore Literature Prize Commendation Award in 1998.

Endangered tigers connecting telepathically through time-travel; a guard’s ethical dilemma at a history museum; a slaughterhouse worker’s memories of his dead wife; a monochrome town upended by a wild watermelon…

In This Desert, There Were Seeds is an intimate collection of past and future dreams, featuring exciting new and established literary voices from Western Australia and Singapore. From our shifting sense of community and identity, to our frustrations with existing political, social and economic structures—this anthology transcends boundaries and captures the persistence of ordinary lives in deserts literal and metaphorical.

From a future of electronic doas and AI psychotherapists, sense-activated communion with forests and a portal to realms undersea, to a reimagined origin and afterlife—editor and translator Nazry Bahrawi brings together an exciting selection of never-before translated and new Malay spec-fic stories by established and emerging writers from Singapore. 

Especially in an anglophone-dominated genre, very little of Malay speculative fiction from Singapore is known to readers here and beyond. Yet contemporary Bahasa literature here is steeped in spec-fic writing that can account as a literary movement (aliran)—and unmistakably draws from the minority Malay experience in a city obsessed with progress.

Why did independent Singapore celebrate two hundred years of its founding as a British colony in 2019? What does Merdeka mean for Singaporeans? And what are the possibilities of doing decolonial history in Singapore? Raffles Renounced: Towards a Merdeka History presents essays by historians, literary scholars and artists which grapple with these questions. The volume also reproduces some of the source material used in the play Merdeka / 獨立 / சுதந்திரம் (Wild Rice, 2019). Taken together, the book shows how the contradictions of independent nationhood haunt Singaporeans' collective and personal stories about Merdeka. It points to the need for a Merdeka history: an open and fearless culture of historical reckoning that not only untangles us from colonial narratives, but proposes emancipatory possibilities.

Brown is Redacted: Reflecting on Race in Singapore responds to, expands on and questions what we think we know about the lived experiences of minority-raced people in Singapore. Inspired by Brown Is Haram, a performance-lecture on minority-race narratives staged at The Substation in 2021, this anthology reflects on how brownness is constructed, sidelined, but also celebrated in this nation-state. Through a combination of essays, academic works, poems, and stories by brown individuals, Brown is Redacted both attempts to and fails to create a singular brown experience. What this anthology does produce instead, is a moving and expressive work of solidarity and vulnerability.

"Brown is Redacted is an incredible and much-needed collection of work that challenges preconceived notions about state- and socially created categories. The works here interrogate the nature of identity, using the lenses of art, academia and personal experience and capturing the dreary pain of being othered as well as the powerful joy of being seen. The writers hold nothing back, offering their hurt, tenderly showcasing the beauty in the under-represented, and triumphantly celebrating individuality." —Akshita Nanda, co-winner of the Singapore Literature Prize in English Fiction

“Brown is Redacted, through its ambition and lyricism, liberates us from the multicultural straitjacket stitched in the 1960s. On every page is a voice that has risen from the interstices of overlapping traditions and generations. Together they lay bare the complexities of the brown experience: the rawness of the struggle, the absurdity of the ignorance, the radical agency of choice, the ecstasy of solidarity. We can transcend. To be brown in Singapore is to dance between anguish and joy.” —Sudhir Thomas Vadaketh, Editor-in-Chief, Jom

Making Kin: Ecofeminist Essays from Singapore contemplates and re-centres Singapore women in the overlapping discourses of family, home, ecology and nation. For the first time, this collection of ecofeminist essays focuses on the crafts, minds, bodies and subjectivities of a diverse group of women making kin with the human and non-human world as they navigate their lives.

From ruminations on caregiving, to surreal interspecies encounters, to indigenous ways of knowing, these women writers chart a new path on the map of Singapore’s literary scene, writing urgently about gender, nature, climate change, reciprocity and other critical environmental issues.

In a climate-changed world where vital connections are lost, Making Kin is an essential collection that blurs boundaries between the personal and the political. It is a revolutionary approach towards intersectional environmentalism.

In this era of climate crisis, in which our very futures are at stake, sustainability is a global imperative. Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine.

This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.

Can a life weave along through the same notes and yet come to play forth different sounds?

The Sound of SCH (pronounced S-C-H) is the true story of a journey with mental illness, beautifully told by Danielle Lim from a time when she grew up witnessing her uncle's untold struggle with a crippling mental and social disease, and her mother's difficult role as caregiver. The story takes place between 1961 and 1994, backdropped by a fast-globalising Singapore where stigmatisation of persons afflicted with mental illness nevertheless remains deep-seated. Unflinchingly raw and honest in its portrayal of living with schizophrenia, The Sound of Sch is a moving account of human resiliency and sacrifice in the face of brokenness.

About the Author

Dina Zaman is a Kuala Lumpur-based writer and researcher. She is the co-founder of IMAN Research, a think tank focusing on socio-political and security matters, and a founding member of the Southeast Asian Women Peacebuilders. She has written extensively for the Malaysian media and is a contributor to The Jakarta Post. Her latest passion projects revolve around Terengganu Royal History. Dina is the author of three non-fiction titles – I am Muslim (Silverfish Publishing), Holy Men, Holy Women (SIRD) and Malayland(Ethos/Faction) – and King of the Sea (Clarity Publishing) her collection of short stories.