所有書籍

　　三年疫情跌宕起伏，一些企業倒下了，不少小商家受到了嚴重衝擊；一些企業和商家則涅槃重生，重振旗鼓，但有很多雇主和人力資源主管慨嘆疫情後，人才既難請又難留，更難以管理。

　　如何重新審視和重視人力資源管理，敢於重新塑造企業獨特價值，重新思考，重新設計，重新出發，成了新加坡企業和中小企業必須正視的問題。

　　人力資源顧問趙莉撰寫的《企業涅槃重生的勇氣和底氣》，通過一些企業實例、一些觀察和一些建議，以深入淺出的書寫，希望喚醒企業管理人和中小企業雇主對人力資源的重視，對人力資源管理有信心，並對未來企業發展有美好期待。

　　作者希望自己的經驗分享能引起企業人共鳴，或者啟發雇主從源頭思考問題，以不同的角度和認知去觀世界、觀周圍、觀企業、觀自己、觀未來。

作者簡介

　　趙莉是新加坡凱登集團（Cadence Group）創辦人兼董事長，旗下有管理學院、人力資源管理諮詢、招聘服務三家分公司。她是新加坡國立大學工商管理碩士，擁有新加坡註冊管理顧問資格（Registered Management Consultant，RMC）。她也是新加坡全國雇主聯合會指定的人力資源工作重新設計顧問及大師班特聘講師。  趙莉將近三十年的事業聚焦於通過提升人力資源管理幫助企業成長與轉型。她在公司戰略制定、組織發展、人力資源建設、企業轉型領域擁有豐富的經驗和知識。她於2019年領導分公司榮獲新加坡政府頒發的品質獎（Singapore Quality Class），成為新加坡人力資源管理領域的行業標杆。

　　她和家人自1996年起定居新加坡，育有三個孩子。業餘愛好是徒步、聽歌、寫文章及與孩子們探索未知、討論未來。

　　風箏升空，只為逃離自己的影子
　　韓麗珠令人震顫的存在寓言《風箏家族》
　　絕版多年，再次歸來

　　在《風箏家族》裡，韓麗珠構築了一個怪異卻熟悉的都市寓言：身體是監牢，也是容器；家庭既是依靠，也是囚禁。本書收錄六篇作品，遊走於現實與寓言、冷酷與詩意之間，共同構築一個被置換、被填補、被窺視的荒謬世界。

　　〈風箏家族〉於2006年獲得聯合文學中篇小說首獎。文中的母親、姨母、祖母與「我」，一代又一代的女性，在肥瘦變形、空間被侵占、角色被替補的輪迴中尋找自身的位置。肥胖像遺傳病一樣悄然擴散，女性的身體在時光中膨脹成無法容納的形體，直到像氫氣球般接近破裂，或解脫。

　　〈壞腦袋〉中，一名偷渡客成為被觀看與展示的「家具」；〈林木椅子〉講述一名男子蛻變成椅子的奇幻過程；〈門牙〉裡，女子不斷暴增的牙齒，落入牙醫的收藏中；〈悲傷旅館〉描繪失去家園的女性，購入一位「陪伴者」充填情感空洞；〈感冒誌〉敘述康復者被迫模擬家庭生活，進行角色扮演。在這些故事裡，人物可以被購買、身分可以替代，空缺總有對應物遞補，挑戰我們對家庭、身分與自由的理解。

　　韓麗珠：「當一本書重新出版，代表著它經歷過自己的死亡，而重新出現在書店裡。它再也不年輕青澀，然而，有到過一些地方，有經過一點難堪的或新奇的事，在它身上又長出了新的故事。」

作者簡介

韓麗珠

　　香港當代小說家。2018年香港藝術發展局「藝術家年獎」得主。

　　已出版作品：中短篇小說集《人皮刺繡》、《失去洞穴》、《雙城辭典》（與謝曉虹合著）、《風箏家族》、《寧靜的獸》、《輸水管森林》；長篇小說《空臉》、《離心帶》、《縫身》、《灰花》；散文集《半蝕》、《黑日》、《回家》。英譯本：《Mending Bodies》（Jacqueline Leung譯）。

　　其中，《灰花》獲第三屆紅樓夢獎專家推薦獎。《風箏家族》獲台灣2008年開卷好書獎中文創作獎。《寧靜的獸》獲第八屆香港中文文學雙年獎小說組推薦獎。《黑日》獲2021年台北國際書展非小說類首獎。《半蝕》獲2022年梁實秋散文大師獎優選。

　　教育工作者鄧祿星於2012年開始向台灣作家兼教育家李崇建學習薩提爾理論，並在教學生涯中實踐。《育人育己 · 心田心耕》記載的是鄧祿星在近十年間實踐薩提爾理論的真實事件，是家長、教師與教育工作者的珍貴參考資料。

　　作為一個成年人，在面對有困惑的孩子時，我們懂得怎麼去好奇、探索嗎？而我們走在人生的路途上，對於自己又了解多少呢？

　　這本書的前半部「聽不見的聲音」記錄的是作者實踐學習所得，通過與孩子對話的小故事，給父母、師長參考的平台，反思自己平時是否有真正聽懂孩子沒有說出來的心聲。

　　書的後半部「走在成長的路上」是作者通過抒寫自己在原生家庭里，在自己成立的家庭里，在工作崗位上，與人相處的情境中，為了求生存而發展出來的應對姿態、感受、觀點、期待，以及渴望，對自己的成長進行剖析，逐漸提升個人的自我力量。

作者簡介

　　鄧祿星1960年出生於新加坡，育有一子二女。80年代畢業於國立大學社會工作系。曾經當過社會工作者、陸軍軍官、小商人、廣告撰稿員兼營業代表；兼職廣播員、少兒演藝班語言指導、教育電視演員兼撰稿員、補習教師、翻譯等。
　　80至90年代投入少兒廣播節目、教育電視與錄音教材兼職撰寫工作。
　　80年代初開始從事少兒演藝語言教學活動。
　　2000年獲得「最佳小學見習教師獎」與「最佳小學華文見習教師獎」。
　　2001年成為全職小學華文教師至今。
　　2007年完成教育碩士課程；獲得「全國模範華文教師獎」；出版散文集《星連心》。
　　2011年出版散文集《星連心（二）》。
　　2012年杪開始向台灣李崇建、張天安等老師學習薩提爾冰山、家庭雕塑理論。
　　2014年-2015年間完成由香港容曾莘薇博士親授「薩提爾專業文憑班」。
　　2016年出版繪本《他們是不會說的》。

　　本書作者以淺白溫煦的方式，為讀者們介紹新加坡建築。獨特之處在於講述建築風格和歷史的同時，也書寫個人與建築「交往」的經歷和情感。作者的建築老友盛載他生命里不同階段的記憶；讀者們可從文字中拼合出「立國一代」之一員隨著國家的發展而成長的故事。

 　　本書收集了 37 篇精選自作者發表於《源·建築情緣》的專欄文章，並根據所書寫建築的位置分三卷：《卷一·牛車水》《卷二·市區》《卷三·市郊》。此外，還加入引介篇《獅城建築概述》及《繼續探索》附錄，使讀者們尤其是年輕一代都能輕鬆愉快地認識、欣賞、探索新加坡建築。 

作者簡介

　　虎威原名黃虛懷，是本地建築師、作家、插畫家。曾負責我國多個古蹟保留項目，並為《聯合早報》《海星報》《源》撰寫專欄。著作包括多本散文集和繪本。其中，散文攝影集《一同欣賞教堂建築》和《我的獅城建築老友》推廣外國與新加坡本土建築的欣賞，繪本《三輪車跑得快》聚焦牛車水多元宗教建築，《寧寧游新加坡河》介紹河畔地標與河上橋梁。

　　虎威是英國劍橋大學建築學榮譽學士，英國約克大學保留古蹟學碩士。他也考獲新加坡天主教神學院神學文憑。

　　對善濟醫社義務主席卓順發太平紳士來說，生命就是感人至深的故事，就看你如何用心上演，如何用心對待，如何用心經營，如何用心堅持，珍惜生命的光明意義與價值。

　　在他人的困難上看到自己的光明、責任、道德與良知，是一種感恩、智慧、內涵、大愛、同理和慈悲。

　　而「寬容、慈悲、大愛」是一種修身養性，一種人生的理念與哲理，一種生命的感恩與光明，可以解決很多問題，包括身心的健康，社會的和諧，人與人之間的衝突與無明。

　　本書是卓順發太平紳士的第五本勵志心語分享，全書以圖文並茂的風格呈現這位慈善家對生活、生命與事業的感恩語錄。

Synopsis

A Pep Talk for Overachievers with ADHD Ever felt like your brain's running on panic, potential and pure guesswork? You're not alone – and you're definitely not broken.

This punchy, ADHS-friendly guide by neurodivergent educator Sharen Ong is your permission slop to slow down, reset, and laugh a little while figuring things out. Whether you're melting under your calendar, drowning in "shoulds", or procratinating with pride, this book gets you.

It's part pep talk, part toolkit, and part "you are not lazy" sticky note – all wrapped in humour, honesty, and real strategies that actually work for ADHD brains.

Inside, you'll find:

• For the burned-out, high-functioning chaos crew
• The perfect gift for your ADHD bestie (or yourself)
• Read it in one sitting or 37 – no pressure

About the Author

Sharen has 15 years of experience helping neurodivergent students, especially those with ADHD, Autism and Dyslexia, navigate a world that wasn't built for their brains. She's passionate about creating frameworks that actually works – so students can thrive, not just survive. 

When she's not leading support initiatives, for the SEN (special education needs) community at a university, Sharen enjoys making complex topics a little less complicated, whether through workshops or collaborative projects. Her goal? To turn the chaos of life into something that makes sense (or at least seems like it does).

When she's not working, you'll find her juggling 21 browser tabs, sipping her sixth cup of coffee, or laughing at her own ADHD moments (because let's be honest – there's always something). I Bit Off More Than I Can Chew is her first book, written to help others who often feel like they're holding it all together with nothing more than a to-do list and a prayer (or a song, maybe).

內容簡介

　　蔣南翔是中華人民共和國成立後清華大學任職時間最長的校長，並曾在「文革」前後分別擔任高等教育部長、教育部長。本書以子女視角，回顧蔣南翔唯實求是、為真理奮鬥的人生軌跡，以及他對新中國教育事業的開拓與創新探索。

編者簡介
  延佳，1951年生於北京。國中畢業後下鄉插隊近五年，曾在農村民辦學校任教。1977年畢業於北京外國語學院德語專業，1981年獲中國社會科學院研究生院經濟學碩士學位。研究生畢業後，曾先後在中國社會科學院經濟研究所及政府綜合部門工作。已退休。

__________

ISBN：978-981-94-2149-7
出版社：東嶺出版
出版日期：2025年6月
建議分類：人物傳記、回憶錄、教育
頁數：372頁

作者簡介

About the Book

A country’s history is like a jigsaw puzzle. The bigger picture of how a country and its people came to be can be pieced together through multiple narratives, perspectives, and stories. In Silk, Silver, Spices, Slaves, Lio Mangubat reaches back into the depths of colonial archives and brings to life long-lost stories that would otherwise have been footnotes in Philippine history.

Featuring 13 essays inspired by his podcast series The Colonial Dept., Mangubat spins tales of galleons, triads, fickle spirits, long-lost maps, and the secret history of otters. In these pages, learn about how the entire country became mad for baseball; how Mexican fighter pilots flew dangerous missions over the Philippines during World War II; or how American occupiers fell victim to a mysterious illness called “Philippinitis".

Beyond revisiting days gone by, Mangubat also connects the threads of each story to the wider tapestry of world history — and how these can unspool even up to our current time. A masterful storyteller and podcaster, he proves that the past can loom larger than the present.


Praise for Silk, Silver, Spices, Slaves

"Mangubat appears, more than anything, deeply invested in cultivating a joyful exploration of the country’s past."

Mekong Review
"Mangubat links past and present, knows a good character when he sees one, and writes engagingly .... Short-story collections are often a prelude for something longer: perhaps Mangubat can be the one to write a Filipino history that resonates with a wider English-speaking public. Silk, Silver, Spices, Slaves is proof that there’s more than enough material."

Asian Review of Books
"We are, all of us, made of stories, Mangubat reminds us. Our families’ and individual lives’ tales are irremovable from the tidal wave of local and global stories. No story is too small, no person too inconsequential, as we all have parts to play in the never-ending drama of nation building."

Ex Libris Philippines
"For all intents and purposes, every chapter of Silk, Silver, Spices, Slaves is a masterclass in RRL (Review of Related Literature)-writing, with Mangubat normalizing the practice for an enriched hold of history.While we see the same technique in the succeeding chapters, every page always surprises us as the author turns something we already know into its head and digs deep into the recesses of the past."

Esquire Philippines
"Philippine history is bursting at the seams with politics, intrigue, and  momentous events. With thousands of islands and several entry points serving as bases for business and exchange, there's no doubt these exchanges have resulted in byproducts that have left a mark on the culture. Author Lio Mangubat's podcast-turned-book Silk, Silver, Spices, Slaves mines these many cross-cultural meetings and engagements to make unraveling the archipelago's past one entertaining ride."

SPOT.ph
"Silk, Silver, Spices, Slaves tackles a wide range of topics, some peculiar and others a marvel to ponder."BusinessWorld

About the Author

Lio Mangubat is the creator of Philippine history podcast The Colonial Dept., which features long-lost stories from the country's past under Spanish, British, American, and Japanese rule. He is currently editor in chief of publishing house Summit Books, and is based in Manila. Follow him on Instagram at @liomangubat and @thecolonialdept.

About the Book

In the humid dark of a eucalyptus-scented room, a woman named Hui lies on a mattress telling stories about herself to her listener, a little girl. She talks about her identity as the child of an immigrant, her feelings about being in a mixed-race marriage, her opinions on mental health. But as her stories progress, it becomes clear a volatile secret lurks beneath their surface. There are events in Hui’s past that have great significance for the person she’s become, but that have gone missing from her memory. What is it, exactly, that is haunting Hui? Who is the little girl she talks to? And who is Hui herself? 

As the conversation continues, what unfolds is a breathtaking, unexpected journey through layers of story toward truth and recovered identity; a memoir that reenacts, in tautly novelistic fashion, the process of healing that author Shze-Hui Tjoa moved through to recover memories lost to complex PTSD and, eventually, reconstruct her sense of self. Stunning in its originality and intimacy, The Story Game is a piercing tribute to selfhood and sisterhood, a genre-shattering testament to the power of imagination, and a one-of-a-kind work of art.

Praise for The Story Game

"A unique memoir that constantly undermines and reworks itself as it braids together episodes from the author's life, a destabilising approach that calls into question how accurately we can remember the past while we are still processing it."
Jeremy Tiang, writer and translator

Reading The Story Game is nothing short of an immense privilege. Shze-Hui Tjoa writes with her heart on her sleeve and the sanctity of her soul risked on every page. I wish every writer could pay testament to life—and our tricky relationship to the writing of life—the way she has done so earnestly, thoughtfully and playfully here.
Daryl Qilin Yam, writer, editor and author of Be Your Own Bae

Shze-Hui Tjoa has written a book that understands that stories are built out of erasure and silence, but they are also made from a relentless belief in transformation. To tell the story, again. And maybe this time, we might finally reveal what is hidden, even from ourselves. What a beautiful, brave act this book is of reclaiming, forgiving but also of un-naming. Sometimes stories teach us to say yes. This one reminds me we can also say No.
Lawrence Ypil, author of The Experiment of the Tropics

The Story Game is a truly inventive memoir told in the form of autobiographical essays that ask what it means to be political in body and mind while aspiring to always be more than we are. Nothing is as it seems in this memoir that’s both reflexive and reflective, and Shze-Hui Tjoa’s careful excavation of disembodiment’s nature knits together the very mind-body separation her memoir interrogates in a journey of healing that will have the reader questioning the narratives we cling to in order to survive. What emerges is an act of courage, confrontation, and intimacy rendered in beautiful, lucid prose.
Jemimah Wei, author of The Original Daughter

About the Author

Shze-Hui Tjoa is a Singaporean writer who lives in Edinburgh, UK. Her debut, The Story Game, was named a best nonfiction book of 2024 by Electric Literature and Paste Magazine when it was first published in the US and Canada. Shze-Hui is an editor at Guernica and Adi Magazine. Her writing has received support from arts organisations in the US, Portugal, Singapore, and Morocco. You can read her author interviews and find out more about her creative philosophy via her website, www.tjoashzehui.com.